Blog

Amazon Shutters Its Ticket-Selling Business In Britain (But Alexa Might Relaunch It)

Having abandoned last year its long-anticipated plan to for a North American ticket-selling platform, the company told its British customers this week that it is closing Amazon Tickets, which had been operating in the UK since 2015. However, sources say that the online retailer has been working on a new ticketing platform that would work with the voice-activated Amazon Echo and the Firestick streaming device.

Fired President Of Weinstein Company Plans To Sue For $85 Million

“[David] Glasser, known within the company as the ‘third Weinstein’, is expected to claim that his termination was ‘nothing more than a desperate attempt to deflect attention away from the very people who were empowered to halt Harvey Weinstein’s abusive behavior – chairman Bob Weinstein and the two other members of the TWC board of directors,’ according to a statement from his law firm.”

Lost Donizetti Opera To Have World Premiere, 180 Years Late

L’Ange de Nisida (The Angel of Nisida) – composed in the late 1830s after [Donizetti] moved to work in Paris – never saw the light of day. It was written for the city’s Théâtre de la Renaissance, but the company went bankrupt before it was premiered. The opera was thought to have been lost until musicologist Dr Candida Mantica … painstakingly located and deciphered the score’s fragments over eight years. … The work will be premiered on 18 July at Covent Garden by London-based Opera Rara.”

Top Posts From AJBlogs 02.21.18

High Noon adapted for the stage, speaking sharply to 2018 and with no exit
High Noon is a great movie, but does it immediately jump to mind as a story that’s ripe for re-evaluation and revision? … read more
AJBlog: Condemned to Music Published 2018-02-21

Engagement at the Core
In addition to what has been said to this point concerning community relationships, programming, and marketing, I would suggest that in the beginning all internal stakeholders in an arts organization continue their work as is and … keep it simple. … read more
AJBlog: Engaging Matters Published 2018-02-20

Da Vinci’s BFF, the CPA
It’s common modern practice to consider art and commerce in opposition to each other, and artists and accountants as cartoonish polar opposites, as well. But it wasn’t always so. … read more
AJBlog: The Artful Manager Published 2018-02-21

“Respect” Not “Hagiography”: How National Portrait Gallery Sizes Up Obama & His Predecessors
In pithy new blurbs, the National Portrait Gallery’s revamped and reinterpreted “America’s Presidents” installation strives to tell each former officeholder’s “unique stories of both triumph and failure” (in the words of the introductory wall text). … read more
AJBlog: CultureGrrl Published 2018-02-20

Rob Clearfield: Quiet And Deep
Rob Clearfield, Wherever You’re Starting From (Woolgathering Records)
The Chicago pianist’s low-key approach to solo piano might lead to wool-gathering that would justify the name of his label. But he bolsters … read more
AJBlog: RiffTides Published 2018-02-21

 

Lessons Hollywood Should Learn From The Success Of “Black Panther”

Black Panther is a blockbuster that feels like it belongs to the artists who created it as much as the company that produced it. In a market dominated by sequels, the projects that actually break through with viewers tend to be movies that were made with more of a purpose than just being another link in a never-ending money-making chain. Black Panther is poised to make more money around the world than any Marvel movie aside from 2012’s The Avengers.

The First Great Populist Rebellion: Erasmus Versus Luther

Erasmus was an internationalist who sought to establish a borderless Christian union; Luther was a nationalist who appealed to the patriotism of the German people. Where Erasmus wrote exclusively in Latin, Luther often used the vernacular, the better to reach the common man. Erasmus wanted to educate a learned caste; Luther, to evangelize the masses. For years, they waged a battle of ideas, with each seeking to win over Europe to his side, but Erasmus’s reformist and universalist creed could not match Luther’s more emotional and nationalistic one.

Pop Culture Isn’t Just Bad Art, It Has An Insidious Impact

Like many émigrés, Theodor Adorno was initially disoriented by US mass culture, which had not yet overrun Europe as it would after the war. This disorientation became a principled distrust. He claimed that capitalist popular culture – jazz, cinema, pop songs, and so on – manipulates us into living lives empty of true freedom, and serves only to distort our desires. Popular culture is not the spontaneous expression of the people, but a profit-driven industry – it robs us of our freedom and bends us to conform to its needs for profit.