Blog – Page 2121 – ArtsJournal Wayback

Why Movie Audiences Don’t Turn Out For Smart Science Fiction

“Sci-fi is a fun genre to work in; it tests creativity, but it seems like it also tests audiences’ patience. They don’t turn up for it. You really have to make a world that audiences are willing to step into and that’s proven the most difficult thing.”

Artistic Director Mark Baldwin To Leave Rambert Dance After 15 Years

“I have commissioned over 60 works, both new and revivals, for the Rambert dancers, who in my opinion have the richest embodied knowledge in the world. This is the beginning of my 16th year as artistic director which is the longest stint of any artistic director of this company, and I think it is the perfect moment to hand over. I arrived as a choreographer and my heart tells me it is time to return to that,” he said.

The Internet’s Post-Text Future

The shift to a thoroughly video-driven internet is indeed on its way, and it will be terrible. To the extent that it attempts to cash in on original content, it will necessarily be terrible, in the conventional sense, because there is not enough talent to go around—ever wonder why British television (and film) relies on the same five actors and actresses? On the other hand, American art has a long history of inspirational terribleness, of sublime trashiness and no-budget artistry that far surpasses, in quality, critically sanctioned prestige. I have no confidence that Google or Facebook will recognize such non-talent for what it is or could be.

How Could A Museum Lose An 83,000-Pound Richard Serra Sculpture?

In 1986, the Madrid museum, one of the top contemporary art destinations in the Spanish capital, commissioned the famous sculptor to create a piece for a landmark exhibition, References: An Artistic Encounter in Time. Their idea was to show the work of three famous Spanish artists next to that of three renowned artists from the 20th century, including Richard Serra.

How Universities Were Taken Over By Administrators

Administrators control the modern university. The faculty have “fallen,” to use Benjamin Ginsberg’s term. It’s an “all-administrative” institution now. Spending on administrators and administration exceeds spending on faculty, administrators out-number faculty by a long shot, and administrative salaries and benefit packages, particularly those of presidents and other senior managers, have skyrocketed over the last 10 years. Even more telling perhaps, students themselves increasingly resemble administrators more than professors in their ambitions and needs.

When Aesthetics Meets Politics In A Triennial Survey, Naivete Abounds

Peter Schjeldahl: In principle, the show’s aim reflects the New Museum’s valuable policy of incubating upstart trends in contemporary art. But it comes off as willfully naïve. Nearly all the artists plainly hail from an international archipelago of art schools and hip scenes and have embarked upon normal career paths. Noting that they share political discontents, as the young tend to do, is easy. Harder, in the context, is registering their originality as creators—like bumps under an ideological blanket. But there’s insight to gain about emergent sensibilities in world art, without hustling everybody toward illusory barricades.

In The Internet Era, Dictionaries Seem Almost Quaint. But We Need Them More Than Ever

At one level, few things are simpler than a dictionary: a list of the words people use or have used, with an explanation of what those words mean, or have meant. At the level that matters, though – the level that lexicographers fret and obsess about – few things could be more complex. Who used those words, where and when? How do you know? Which words do you include, and on what basis? How do you tease apart this sense from that? And what is “English” anyway?

The Artist Whose Medium Is Big Data

Laurie Frick imagines a future in which your smart watch will know how your body is responding to someone. Then it will combine with Facebook data about their personality. And that will let you know whether that person makes you lethargic, raises your blood pressure or depresses you. “If you start training people that, ‘Look at what’s happening to your inflammation levels or whatever. This is the best thing for you and you can let go of the guilt.’ “

Those Articulate Florida Kids Leading The #NeverAgain Movement? Theatre Nerds

Are you surprised that these teenage drama nerds are now taking the international stage by storm? I’m not. A theatre class is more than an artistic distraction for students. It can serve as a lightning rod of empowerment for young people. For many teens, the experience of standing in a spotlight on a stage in a play or musical, galvanizing the attention of adults in the audience, is the first time a young person discovers that what they say matters. They learn that words have power, that their voice can move and inspire others.