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Top Posts From AJBlogs 02.27.18

One Wo/Man Band
I am frequently asked whether an arts organization can successfully engage communities with just one person assigned the responsibility for “engaging.” One answer, given with considerable trepidation is, “It depends.” … read more
AJBlog: Engaging Matters Published 2018-02-27

The Adjacent Possible
So much of leadership, management, and change narrative is about “gap analysis.” The thinking goes that we achieve a desired future by describing a bold vision, defining our current location, mapping the gap between here and there, … read more
AJBlog: The Artful Manager Published 2018-02-27

Far Out! Psychedelia at Metropolitan Museum’s “Golden Kingdoms” (with video)
In a tweet today, Joanne Pillsbury, the Metropolitan Museum’s curator of the Arts of the Ancient Americas, called attention to one of two miniature objects that caught my eye (perhaps for the wrong reasons) at … read more
AJBlog: CultureGrrl Published 2018-02-27

 

Inside Teaching The Movie Star To Look Like A Credible Ballerina

“I wanted her to understand what muscle groups were involved, and how most people walking on the street are internally rotated with their shoulders — their palms are facing back. With ballet dancers, you have to spin that back so it looks more like their arms are an extension of their back, and that whole alignment lengthens your neck. It widens your shoulder line.”

Lyn Gardner: So What If Reviews Give Away The Ending?

There is an undoubted pleasure in watching a classic play unfold to an unknowing audience. I once saw Hedda Gabler in a regional theatre where it was clear from the gasps that most of the audience had no idea that she – spoiler alert – kills herself. But very few people would decide against seeing Three Sisters again because they already know they never get to Moscow – or feel no desire to watch Medea because they are aware she kills her kids.

Cameron Mackintosh’s Plans For New Non-Profit Theatre In London’s West End Approved

“The proposals will lead to most of the existing Ambassadors Theatre being demolished, with the existing West Street facade and part of the Tower Court facade retained. Under the plans, the building will then be redeveloped into a flexible performance space with 450 to 475 seats and a new floor built above the auditorium to house a rehearsal space for larger shows.”