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Setting ‘The Crucible’ In An Orthodox Jewish Settlement In The West Bank

An Israeli critic reviewing the production at Tel Aviv’s Cameri Theater “wrote that he went into ‘aesthetic shock’ when he realized that he was not watching Puritans in colonial New England, but a far more familiar group, one that Miller himself, disillusioned and ailing, had called ‘an armed and rather desperate society at odds with its neighbors but also the world.'”

Sherman Alexie Responds To Accusations Of Sexual Harassment

The celebrated Native American author “issued a statement Wednesday acknowledging that he’s hurt people over the years, addressing for the first time anonymous accusations of sexual harassment against him that have swirled on the internet for days. In breaking his silence, however, Alexie said he rejected ‘the accusations, insinuations, and outright falsehoods’ made by another writer who, while not accusing him of sexually harassing her, ‘has led charges against me,’ he said.”

Record-Setting Picasso Leads $189 Million Auction At Sotheby’s

Picasso’s Femme au béret et à la robe quadrille (1937) sold for $69.2 million, the second-highest price ever paid at auction for a single artwork in Europe. Two other Picassos, Le Matador and Tête de femme, sold together for $31.7 million. Other artist whose work sold for seven figures or more included Derain, Boccioni, Dalí, Magritte, and Lynn Chadwick.

How Nigeria’s Famous Floating School Won Architecture Awards And Then Literally Fell To Pieces

One week after architect Kunlé Adeyemi collected the Silver Lion at the 2016 Venice Biennale, “the Makoko Floating School collapsed. All that remained of the structure heralded as a bellwether of change for a slum and its inhabitants was a flattened pile of planks adrift in the waters of a polluted lagoon. What follows is an account of the school’s stunning rise and fall.”

How ABT’s Isabella Boylston Became Jennifer Lawrence’s Dance Stand-In

“I think they were really committed to being as accurate as possible, so they wanted a principal dancer, a real ballerina,” Boylston says. “Justin Peck, the choreographer, is a good friend of mine — we had worked together before on our own film that premiered at Tribeca Film Festival a couple of years ago. He called me and was like, ‘I think you’d be a great fit for this project.’ And I was like, Francis Lawrence? Jen Lawrence? Sign me up.”