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Why Nazi-Looted Art Has Never Really Been Resolved

The feverish nature of the art market during the Second World War, and ever since, offers at least one straightforward reason for both the Nazi art theft itself and for why items have never been restituted. “There is no cultural genre in which money plays as big a role as visual arts,” Rein Wolfs, the director of the Bonn Museum of Modern Art, told me. “Dance, or theater, they aren’t about goods. But art, it’s about goods. There’s so much confusion around it because there’s so much money involved.”

A New, And Much More Hopeful, Genre Is Emerging: Solarpunk

Instead, of, say, No Country for Old Men, this genre pulls from a different strand of thought. “Solarpunk prioritizes hope and resilience in the face of the climate crisis. The stories in each collection are typically set in futures where solar energy takes center stage. Many are utopian. Others are post-apocalyptic, and these articulate a Solarpunk attitude in their portrayals of humanity’s battle to renew the Earth.”

Director Of Ghent Museum Suspended For ‘Controversial’ Exhibit

The company in charge of the museum suspended Catherine de Zegher after months of mounting criticism and pending the results of an internal audit. Did she lie to the city’s cultural committee? Did she claim art historians had authenticated Russian avant-garde paintings when they had done no such thing – and then refuse to turn over any documents that would have supported her? Very, very possibly.

When Russia Banned This Director’s Movie, He Got All Kinds Of Congratulatory Emails – But He Says That’s Not The Right Reaction

Armando Iannucci: “This act of censorship gave me no joy; the overwhelming emotion has been one of sad disappointment that in the world of instant communication, and the anarchic dissemination of information, people still think it’s O.K. to ban stuff they don’t like. That they should ban a film making fun of repression is wonderfully ironic, I know, but I still don’t get any kick out of it.”

An Artist In Residence At The Tate Has Resigned After Remarks From The Director About Sexual Harassment

Liv Wyntner was one of four teaching artists-in-residence at the Tate for 2017-2018, but when Tate director Maria Banshaw made what seemed to many dismissive statements about harassment and abuse survivors, she wrote in an open letter, “I cannot describe to you the personal shame I feel as a survivor of domestic violence, to work for someone who could think so little of me whilst simultaneously profiting off of my ‘survivorness’ and the work I dare to make about it.”