A video of this building, with a lot of show notes after the video. If you love Broadway, you’ll probably want to watch it a few times. Like, a lot of times, just to enjoy the building: “More than 800 Broadway musicals and plays have begun here. The building, run by a nonprofit established in 1990 to redevelop 42nd Street, has 14 rehearsal studios that are rented on a sliding scale — commercial producers pay more, and nonprofits pay less.”
Blog
The Canadian Fire Fighting Museum Is Closing After Thirty Years
The museum, an hour north of Toronto, sits on ground that has low-level radioactive contamination – and now it is being forced to pack up and leave … with nowhere to go. “‘We thought we had one more season to go, but we didn’t,’ Will Lambert, chair of the museum’s board of directors, told CBC Toronto.”
How In the Heck Is The Spirit Of Burning Man Art Supposed To Survive In Museums?
Basically, we have a cultural disconnect, or a potential one: “What happens when art shaped by utopian principles and intended as a civic gift to a temporary city is uprooted from its native white sands and replanted within white walls across the street from the White House, suddenly subject to the scrutiny of critics, curators and busy tourists?”
Apple Plus Beats Was Supposed To Be Magic, But What’s Happening Now?
Customers feared it, but “Beats executives likely knew this would be the case when they accepted the acquisition: that Beats would become a shadow of its former self, with its resources, talent, and ideas redistributed throughout Apple’s vast corporate village.”
This Is How You Make A Terrifying Children’s Book Into A Major Opera
You take some a woman with button eyes, a portal into another world, and a plucky heroin, and add music, of course. “Around a table, two “magic consultants” were huddled around a miniature toy theater, debating what sort of fake mice would freak audiences out the most. Eerie, discordant chords drifted from another room: A trio was practicing. ‘You’re doomed,’ they seemed to be singing.”
Do Reviews Matter? Sure, But It’s A Complicated Question In The Digital Age
Of course reviews matter. That’s easy and predictable enough for someone writing a review to say, but it can be proven. Reviews matter in two ways: as filters, and as shapers of opinion. In his 1991 book, U & I, Nicholson Baker describes “book reviews, not books” as “the principal engines of change in the history of thought”; because no one has time to read all the books they want to, reviews must sometimes stand in for the thing itself. The more contentious point, about influence, can be divided into two questions: do they influence and if so is that influence beneficial or malign?
When Does A Piece Of Art Violate A Subject’s Rights?
What is the line between art and commerce? It is an important question, given that art enjoys broader free speech protections than the latter. It’s unlikely a Nike TV spot can successfully claim to be art—but what about a painting with limited edition prints sold through a website? When does that line get crossed?
Scottish Arts Funding Mess Suggests Need To Reconsider How We Support The Arts
“The increase in the number of network bodies in the Creative Scotland portfolio signals an acceptance of a model of competitiveness inherited from the Thatcherite government. We quite liked pretending to be business people, but we didn’t anticipate that we would need to accept responsibility for the future of cultural delivery. It’s hard work running a successful non-profit organisation and it takes skill to get it right all the time. The priority of artistic quality can easily become lost in project managerialism.”
How I Fell In Love With Opera
“I was by no means always an opera fan, and it was the singing that got me in the end. My grandmother and parents had taken me to see a couple of productions when I was younger in the hope of firing some latent interest, but it didn’t really grab me. Then, one day in my 20s, I heard a CD of my wife’s of Mozart’s The Magic Flute. I had no story to go on, no costumes, no set, no visuals at all, just a series of the most extraordinary voices singing insanely beautiful music. Hooked, I was. So hooked that all these years later I practically begged Glyndebourne to let me help present this weekend’s inaugural Glyndebourne Opera Cup competition for young singers.”
‘The Parrotheads Were After Me’ – New York Times’ Jesse Green On Writing Negative Theater Reviews
“I don’t take writing pans lightly. For one thing, I’m as thin-skinned as anyone else, and don’t enjoy being excoriated on Twitter or mocked as a theater snob or told on Facebook to just ‘relax’ – as if my being uptight were what made the show bad. … So when I get home from the theater with my notebook bristling with scribbles like ‘what is happening?’ and ‘kill me now,’ I ask myself a few questions. Was there anything at all I admired? Can I imagine why someone else might like it? Are there people I would send to the show despite my own distaste for it?”