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Top Posts From AJBlogs 03.28.18

April Showers: 28 La Salle University Deaccessions in Three Christie’s Auctions (with estimates)
Without a press release, let alone any fanfare, Christie’s has now published the complete catalogue information (including presale estimates) for 28 of the 46 works that were deaccessioned by La Salle University to bankroll its … read more
AJBlog: CultureGrrl Published 2018-03-28

Chummy MacGregor And “Moon Dreams”
Chummy MacGregor was born on this day in 1903 and died on March 9, 1973. It’s the rare listener to modern jazz who doesn’t know of the MacGregor composition “Moon Dreams,” which … read more
AJBlog: RiffTides Published 2018-03-28

 

Contemporary Music Has A Label Problem

Classical or art music has undergone a sea change over the last two decades or so. Music historians debate over when the Common Practice Period — characterized by tonality — began or ended exactly, but most generally put its demise roughly coinciding with the start of the 20th century. When many laypeople think of modern art music, they think immediately of the dissonant Modern period. That’s when composers deliberately eschewed any conventional notions of melody or harmony.

A Decline In UK Museum Attendance

In 2008/09, the number of visitors to 15 museums funded by the central government was 39.7 million. This increased every year to a high point of 50.8 million in 2014/15. The numbers have dropped consistently since and will be around 46.5 million in 2017/18, the financial year that ended on 31 March.

How Harassment Is Institutionally Supported In The Theatre?

It’s a matter of sexual harassment and abuse being a major public health and safety issue in all sectors of our society, and wanting to do something about it, especially when the leadership of arts institutions tend to do whatever it takes to preserve themselves first, at the direct cost of the health and safety of the individuals they’re supposed to serve.

Get Your Big Ears On

Contained within a walkable radius of historic downtown Knoxville — in a range of ornate landmark theaters, refurbished industrial spaces, art galleries, churches, and clubs — it creates its own atmospheric climate, along with a center of gravity. From its first iteration in 2009, the festival has been a locus of expedition, defined more by a go-anywhere ethos than by any style or genre allegiance.

An Extraordinary Personal Reflection On Climate Change By Composer John Luther Adams (Read This!)

“As a composer, I believe that the best gift I can offer our troubled world is music. Some composers choose to address the political issues of their times directly in their music. But, although I’ve been politically active all my life, the heart of my music lies elsewhere—again, in the Earth. In order to renew human culture, we sometimes need to step outside of culture, to remember that we are only a small part of the larger order of things. Although my work is in culture, I search for my music at the intersection of human imagination and what we call “nature,” which is the ultimate source of everything that we are as individuals, as societies, and as a species.”

Merchant And Ivory Weren’t Just A Filmmaking Team; They Were A Couple For 40 Years. James Ivory Explains Why They Kept That Secret

Reporter Ryan Gibney: “Even with the release in 1987 of Maurice, they batted away any prying questions about their private lives. When I ask Ivory why this was, he comes as close to calling me a blasted fool as someone so urbane can. ‘Well, you just wouldn’t,’ he splutters.” (includes grousing about the lack of nudity in Call Me by Your Name)