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Why Is Philosophy So Behind The Curve? (It’s Not)

The reference to modern physics reminds us of a commonly cited fact – that philosophy came first and gave birth to science – that could in its own way seem to delegitimise or quickly answer the progress question. Didn’t philosophy lose its truth-related raison d’être after that generous act, having handed the baton to the sciences? Haven’t all the questions in its textbooks gradually migrated into scientific textbooks? Actually, not so.

How The 2016 Election Is Changing Our Literary Publishers

Over the past months I spoke with 20 gatekeepers in the fiction world—agents, editors and publishers—to see whether they anticipate a change in the types of stories that shape the American novel. While they were apprehensive about making generalizations, most, if not all, seemed shaken by the realization that they are out of touch with a significant portion of the American electorate. And for several, the only way to remedy that is by actively seeking out stories from Trump country.

Montreal Biennale Files For Bankruptcy

The 33 creditors listed range widely, including Artforum magazine, New York “global cultural communications company” Sutton PR, and the biennale’s own accounting firm, Dagenais, Lapierre, Simard et Associes. (Full disclosure: Canadian Art Foundation, the charitable foundation that publishes Canadian Art, is also listed among the creditors in the document.)

Why Authoritarians Try To Suppress The Arts

Art creates pathways for subversion, for political understanding and solidarity among coalition builders. Art teaches us that lives other than our own have value. Like the proverbial court jester who can openly mock the king in his own court, artists who occupy marginalized social positions can use their art to challenge structures of power in ways that would otherwise be dangerous or impossible. Authoritarian leaders throughout history have intuited this fact and have acted accordingly.

Lucinda Childs Used To Hate The Martha Graham Technique. Now She’s Making A Dance For Graham’s Company

Says Martha Graham Dance Company artistic director Janet Eilber of Childs, “She is one of the people who truly went in the other direction of Martha Graham, and part of what we do now is inviting vastly different perspectives on our legacy. We want their own separate, unique voices. We want the contrast. It brings context to the Graham classics.”

Houston’s Alley Theatre Wrestles With Ex-Artistic Director’s Complicated Legacy

The interim artistic director at the Alley Theatre is weighing the best response to the query of, “What will be Gregory Boyd’s legacy?” Boyd, who left in January, helped grow the company’s reputation as artistic director over nearly three decades but was also accused of harassing several women on his staff and creating an abusive work environment.

Gender Pay Gap In The Arts Less Bad Than In Other Industries: Study

“A quarter of the 40 major arts and culture organisations that had to report their gender pay gap details to [the UK] Government this week paid their female staff a higher average hourly rate than their male employees last year. Overall the major arts employers still pay men more than women – there is a median hourly pay gap of 4.4%, but this is lower than the average of 12% across all 10,000 reporting employers.”

It’s Time For Ballet To Embrace Feminism, Writes New York City Ballet Star

Ashley Bouder: “It’s as if the image of a man leading a woman into the wings is a metaphor for how the dance world is run. A male director leading the careers of dancers. A male choreographer laying down the pathway of steps to perform. Of course, there are women who have broken through this mold. But there it is in the phrase: ‘broken through.’ A simple place at the table would be sufficient. Instead, it’s like women are crashing the dinner party. … Too many times I’ve felt the proverbial pat on the head and heard a ‘Good for you, sweetie’ comment. A few times, I’ve actually gotten a real pat on the head.”

‘Design Thinking’ Is Narrow-Minded And Limiting

Natasha Jen of Pentagram: “Design thinking embodies our obsession with prescription. … We crave prescriptions and mythology in general – as a profession and as a society. … Prescriptions create a kind of prison, in terms of how we can think about things and how we work. But a very linear methodology-based way of working completely removes other possibilities.”