“Deutsche Bank has set an opening date of 27 September for its new cultural forum, located in an historic building in central Berlin and to be called Palais Populaire. [The new center] will host exhibitions, concerts, readings, talks, workshops, sporting events and a cafe.”
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Automation Is Changing The Ways Our Public Spaces Are Designed
Automation has also changed how people shop, park, fly, and more. In the process, it has reshaped the architecture that contains those experiences—making them more efficient, often, but also putting machines above people.
Survey: Most Visual Artists Make Less Than $30k/Year And Don’t Find Galleries Helpful
While some of the study’s findings are not particularly surprising — like that artists’ satisfaction with their work increases in direct proportion to the amount of time they spend in the studio — others are quite illuminating, especially where the economics of being an artist are involved. For instance, only 12% of respondents said that gallery sales of their work have been helpful in sustaining their practices, and grants ranked similarly low; the majority (61%) said that freelance and contract work was the most significant economic factor supporting their art.
Students Accuse University Of North Carolina Of “Artwashing” In Arts Campaign
Arts Everywhere, which kicked off its second year in April, has drawn the ire of students with public programs and artworks (including painted pianos) spread across campus. Students believe the campus-wide arts celebration disregards the seriousness of research by artists and art historians on campus, obscures systemic bias in Art Department hiring and retention practices, and ignores the pressing need to fix Occupational Safety and Health Administration (OSHA) violations in campus art facilities.
Einstein’s Newly-Published Diaries Show Shocking Racism, Xenophobia
Ze’ev Rosenkranz, senior editor and assistant director of the Einstein Papers Project at the California Institute of Technology, said: “I think a lot of comments strike us as pretty unpleasant – what he says about the Chinese in particular. They’re kind of in contrast to the public image of the great humanitarian icon. I think it’s quite a shock to read those and contrast them with his more public statements. They’re more off guard, he didn’t intend them for publication.”
Canada’s National Arts Centre Hires New CEO From Within
The appointment marks the first time in the NAC history that they have promoted as president and CEO from within, and the move is telling. Starting as a Tour Manager in 1987, Christopher Deacon worked his way up through the National Arts Centre Orchestra, eventually becoming Orchestra Manager in 1989, then becoming Managing Director in 1996.
It Looks Like London Is Getting More Theatres. But Can The City Support Them?
If we are to create more theatres in London, what business models are they going to operate on if no public money is available? There is an intrinsic problem. Property developers want to give over as little space as possible for cultural provision, but to make a theatre work commercially, you need a certain number of seats and – preferably – a food and drink operation to bring in a secondary income.
A Brief History Of The TV News Ticker
“Versions of the TV news ticker date all the way back to the 1950s, but they didn’t become truly ubiquitous until September 11, 2001. … The same way a Twitter feed today can transfix people during a crisis, the nation had its eyes glued to the scroll, waiting for the next update. The TV news ticker is a descendent of the stock ticker and grandchild of the ‘zipper’ news on buildings in Times Square. At the very least, it’s also Twitter’s neurotic uncle.”
Dramatists Guild Scolds Tonys, CBS, For Excluding Writers
Every year, the Academy Awards faithfully includes screenwriters in not one but two categories. And it’s not just the Oscars; the Grammys, Emmys, and Golden Globes all award the writers in their respective industries on the air. And yet it’s the theater that most esteems writers; we are generally recognized as the principal artistic force behind new work, and we even retain ownership and control over the material we create. Yet on the very awards show intended to celebrate our craft, we are effectively negated.
How The Puppeteer For ‘Unbreakable Kimmy Schmidt’ Made A Talking Backpack So Emotional
“In the fourth season of Unbreakable Kimmy Schmidt, we learn that Kimmy had a secret friend in the bunker [where she was held captive]: the purple Jansport backpack that she lost at a dance club way back in the very first episode.” Kimmy named the pack Jan S. Port, which is played puppeteer by Stephanie D’Abruzzo (of Sesame Street and Avenue Q. “D’Abruzzo spoke to Vulture about auditioning to play an inanimate object, why Jan is like ‘a canned ham,’ and her character’s near-death experience under the dragon cloud.”