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President Macron Orders Complete Review Of France’s Artist-Residency System

“The French president, Emmanuel Macron, has asked a senior civil servant to conduct a review of artist residencies funded by the French state, which could lead to the abolition of some culture programmes. … [His] main aim is to make France more attractive ‘to great artistic talents from all over the world’, underlining that the government spends more than €7m annually on around 500 residencies in the fields of visual and performance arts.”

Highlights From Today’s AJBlogs 07/05/18

Arts Council England Releases New Audience-Insights Tool

Nicholas Serota: “This is not about limiting risk or stopping organisations from putting on work that may be difficult and may tackle questions in unfamiliar ways. Rather, we want to understand what the impact of the work is. The best and most pioneering work often polarises opinion, and a positive response to risky work could strengthen an organisation, helping the leaders to shape the artistic direction confidently.”

Does Classical Music Have An Excess Social Baggage Problem?

“If you’re looking for virtuoso virtue-signallers, then classical music is the place to start. But right-on competitions are merely the gruesome fruit of something more deeply rooted: an intellectual culture poisoned by late 20th-century identity politics and postmodern verbiage. That’s a problem in other disciplines, of course, but at least artistic and literary pseuds attract mockery. It flourishes in university music departments because no one gives a toss what happens there.”

Guggenheim Reveals Newly-Cleaned Manet And Surprise… Different Colors

The late-period painting, found in the artist’s studio when he died, had been dramatically changed over the years, including being cut down on the sides and trimmed at the top, as is demonstrated by a photograph taken by Fernard Lochard in a studio inventory. Overpainting included an added signature (“Ed Manet”) and filling in the trellis-like background, which was less “finished”. The syrupy top, dark layer of varnish is a type typically used for musical instruments or wood furniture, also muted the painting’s sketchy energy. Even the subject’s right eyebrow was changed during the earlier restoration from a raised arch to a more neutral and passive line.