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A New $50,000 Prize For Improvised Music

The Instant Award for Improvised Music “is granted by a new organization called the Horse With No Name, formed specifically for that purpose by the funder of the prize (who insists on anonymity). [Chicago art gallery] Corbett vs. Dempsey functions as a conduit for administering the award. … The first two winners are Poughkeepsie multi-instrumentalist (and frequent Chicago visitor) Joe McPhee, who shows no sign of slowing down at age 78, and Baltimore pedal-steel virtuoso Susan Alcorn.”

How Ventriloquists And Their Dummies Trick Our Brains

“The common misconception is that this trick involves the performer somehow ‘throwing’ their voice through a clever trick of the voice box.” But that’s not it at all. “‘Imagine you hear a loud sound, and at exactly the same time, there is an abrupt appearance of something. Then, automatically — because of the coincidence in time — you would tend to associate these two events as originating from the same cause,’ says [researcher] Salvador Soto-Faraco … ‘That is the inference that happens in ventriloquist illusions.'”

Is Hollywood Really Making Progress Hiring Minorities And Women? Sandra Oh Says –

“I’m not going to say that the tide has changed, no. But … I think people who have been in power, who have mostly been white men, and people who are white, they listen now. They not only listen and are open, they make the effort for change. I do feel that has changed. I can feel it now because of the way I can push: ‘Hey, what about this? Hey, what about that?’ Trust me, I’m relentless.

Could This Be How To Organize A Museum For The 21st-Century Age Of Migration?

A new exhibition in Hamburg by curator Roger M. Buergel (still known for his provocative Documenta 12 in 2007) “delivers on its contention that European museums need to do much more than just restitute plundered objects in their collections, important as that is. A 21st-century universal museum has to unsettle the very labels that the age of imperialism bequeathed to us: nations and races, East and West, art and craft.”

‘New Yorker’ Writer Who’s Become Pro Poker Player Says Poker Is Far Harder Work

Maria Konnikova: “It’s really physically and emotionally and mentally exhausting. I’m just sitting at a poker table inside a casino. I don’t actually see any of the places I visit a lot of the time. It can get really lonely. … People want to get into it because they think it’s easy money are absolutely insane. It’s some of the most difficult money in the world.”