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We’re In Another Stephen King Media Renaissance, This One From The Generation Who Grew Up On Him

“King’s enjoyed numerous renaissances since Carrie put him on the map in 1973 — the era following Brian De Palma’s 1976 film adaptation; the early ’90s one-two punch of Misery‘s Oscar win and Tommy Lee Wallace’s It miniseries; the two-year spell at the turn of the millennium when he dropped the final three Dark Tower books. This one, however, is markedly different than those that came before, due not only to its scale and scope, but also because it’s unfolding in a generation that’s succeeded at both commodifying and intellectualizing nostalgia.”

Walker Art Center To Commission Indigenous Artist To Replace Sam Durant’s Disassembled ‘Scaffold’

“The Walker Art Center in Minneapolis … has created an Indigenous Public Art Selection Committee, which will be charged with commissioning a Native artist to do a public artwork for the museum’s sculpture garden. … The museum’s release said the committee was formed in response to the controversy surrounding Sam Durant’s Scaffold (2012),” which was installed there last summer and them removed following protests by Dakota people.

One-Third Of UK Performing Arts Students Have Been Sexually Harassed: Survey

“The poll of 600 drama, music and dance students found that more than half (51%) had experienced inappropriate behaviour, sexual harassment or bullying. Nearly two thirds (73%) of those who experienced some sort of incident identified as female. … When asked if they had reported their concerns, 57% who had experienced inappropriate behaviour did not report it. Just 13% did.”

At A Workshop Where The Choreographers Don’t Have To Finish Their Work

“The National Choreographers Initiative in Irvine seek[s] to emphasize the creative process and take the pressure off producing a finished, polished product. The three-week summertime workshop — now celebrating its 15th year — will culminate with a public performance July 28 … Unlike formal, completed dance productions, the show will start with four choreographers introducing their pieces, 16 dancers presenting what they’ve learned, and a question and answer session with the audience concluding the program.”

Russia Just Won’t Release Leading Stage Director From House Arrest

“Russian theater and film director Kirill Serebrennikov called the embezzlement allegations against him and his colleagues ‘absurd’ as a Moscow court ordered him to remain under house arrest until August 22.” This is the fourth time his pretrial detention has been extended. “Initially treated as a witness in an investigation targeting Moscow’s Gogol Center theater, Serebrennikov was charged in August 2017 with organizing the embezzlement of 68 million rubles ($1.1 million) in state funds.”

Donald Trump, The Opera?

Donald Trump is the undisputed hero of this comic opera in three acts. “Comic” does not here mean superficial or laugh-out-loud hilarious: as Rossini so superbly demonstrated in “The Barber of Seville”, comic opera combines a sophisticated analysis of human interactions with a light touch. Foreign policy offers plenty of opportunities to study human nature; at summits, each participant brings not only his or her personality but a country’s sensitivities, strengths and weaknesses to bear. Like Bartolo—the central character in “The Barber of Seville”, a buffoon-like doctor of medicine with ambitions that supersede his abilities—Mr Trump is sung by a bass.