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When Oscar Met Walt

The idea of Oscar Wilde meeting Walt Whitman face-to-face began as a publicity stunt for Wilde’s 1882 U.S. lecture tour. (The two were to ride together in an open carriage through the streets of Philadelphia. It was January and Whitman declined.) In fact, Wilde’s mother had read Leaves of Grass (in an unexpurgated version) to him when he was 11, and he had admired Whitman ever since, and he eventually went to visit his old hero at home. “No reporters were invited to witness the meeting between Whitman and Wilde. This was a strange choice for two dandyish men who loved self-promotion, but it was a canny one: they would each give separate interviews afterwards, and double the attention they received.”

How Technologies Have Shaped The Art Of Movies

If every new invention begins as a miracle, turns into a necessity, and ends up as a vice, the art of filmmaking is in the restoration of its miraculous aspect. In recent years, great movies have been made with a varied range of devices, including consumer-grade video cameras, toy cameras, iPhones, and even pieced together from footage borrowed from the Internet. But whether a movie is made with grand Hollywood equipment or with ordinary devices, there’s nothing banal about a great cinematic image

What Stephen Petronio Has Planned For The First Summer At His New Center In The Catskills

“This summer, the Petronio Residency Center at Crow’s Nest welcomes its first three artists in residence: Nora Chipaumire, Will Rawls and Kathy Westwater. The center, located in the Catskill Mountains, about two and a half hours north of New York City, is idyllic: The 2,500-square-foot studio has radiant floor-heat and a sprung floor, and the 6,500-square-foot house sleeps up to 10 people and has soaring views of the mountains. ‘As a creator, I understand the power of a residency,’ says Stephen Petronio. ‘I want the dancers to feel like they have gone to heaven when they pull up to the gate.'”