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Grammar Purists Are Running A Ridiculous (And Classist, Racist, Etc.) Ponzi Scheme On The English Language

What’s ‘standard’ English? What’s ‘colloquial’? Why is one right or wrong? “There is no official source of grammar prohibitions. For the English language, no one has the authority to lay down laws. Rules exist. It is possible to speak or write ungrammatically. It’s possible to be ‘wrong.’ But right and wrong derive from a far more powerful, albeit hard-to-pin-down source: us.”

A University Museum Says It Has Solved A Decades-Old Mystery Of Who Painted One Of Its Popular, 1720s-Era Portraits

The unsigned painting of a woman wearing an outfit with a plunging neckline has been a favorite at the Spencer Museum of Art on the University of Kansas campus for decades. “Over the years, it’s been attributed to a few different artists — first, William Hoare, and then, sometime before the 1980s, to Highmore. But museum curators had never been 100 percent sure of the 1720s-era painting’s true origin, until now.”

A City-Defining Mystery Series Comes To An End

Naomi Hirahira, who is “a one-woman Japanese American history project,” is best known for a seven-book crime novel series. “She has also authored several nonfiction titles on Southern California Japanese-American history. Her newest Mas Arai mystery title and the final one of the series, Hiroshima Boy, was just published by Prospect Park Books in March 2018, and in April her latest nonfiction title, Life After Manzanar, was published by Heyday.” In this article, she takes a LARB reporter on a literary walking and driving tour of Los Angeles.

There Is No Such Thing As Unconscious Thought

In particular, when you walk away from a difficult problem, then come back later and suddenly see the solution, your mind was not working on the problem unconsciously. Your brain doesn’t work that way, and if it tried, the electrical signals traveling along your neurons would get hopelessly crossed. Behavioral scientist Nick Chater explains what’s really going on in such cases.

NYT Theatre Critic Makes Flippant Gender Reference In Review And Gets Pummeled Online

In a review of Head Over Heels, the hybrid Go-Go’s jukebox musical and Elizabethan farcethat opened on Broadway last night, the New York Times’s chief theater critic Ben Brantley misgenders the character of an oracle played by former Drag Racecontestant Peppermint, who happens to be making her debut as the first openly trans woman actor to create a principal role on Broadway.