Blog

Facebook Removes Icelandic Artist’s Work Because… Naked Breasts

As part of the Reykjavik arts festival in June, Indridadóttir showed photographs of topless young women standing in front of painted portraits of older men. The photographs were taken in locations such as the Icelandic parliament, a sports club and a school, where rooms are decorated with portraits of men that had been playing an important part in the history of those institutions

What Classical Musicians Actually Earn (And What It Costs To Be One)

According to Statistics Canada, using 2011 data (the last year for which detailed figures are available,) musicians and singers made an average of $10,402 a year from employment, and $16,061 from gross wages and salaries. StatsCan defines employment as including both salaried jobs and income from professional practice, and it should be noted the figures include everyone in the country who declared income as a musician or vocalist.

The Internet’s Dancing Dads Are Just What We Need Right Now, Says Pulitzer-Winning Dance Critic

Sarah Kaufman: “It is a truth universally acknowledged that one of the dorkiest things a dad can do is dance, especially in public. … Therein lies the coolness of the real-life dancing dad. He’s the opposite of embarrassing! … Through his dance, he forges a spontaneous, healing bond with his youngster whose power can be felt by millions of onlookers.”

Now Even The Biggest Pop Stars Go To Songwriting Camp, Or At Least Sing Songs Written There

“Songwriting camps have convened since the early ’90s, when Police manager and I.R.S. Records chief Miles Copeland invited heavy hitters such as Cher and Squeeze’s Glenn Tilbrook to his French château.” They’ve become something of an industry since then, and they, “or at least the collaborative songwriting process, have fundamentally changed the way pop music sounds.”

Oscars’ New Best Popular Movie Category Is A Spectacularly Bad Idea

The decision to announce the new category without a name or a list of qualifying characteristics made a bad decision seem even worse, almost to the point of deliberate self-sabotage. Will candidates for Best Popular Picture be determined by budget? By box-office returns? If the latter, is it possible for a movie like Get Out or A Quiet Place to cross over from one to the other? And if not, will it be analogous to the split between lead and supporting performances, where the line is subject to campaigning and manipulation that sometimes verges on outright fraud?