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London’s National Theatre Commits To Telling Actors If They Haven’t Been Cast

“It is vital that we pay respect to the actors we meet by always acknowledging their work and contribution to the casting process, which is why the NT wholly supports the #YesOrNo initiative.” He added that while the NT is not always able to make decisions right away, it will let actors know if they have been successful as soon as possible. The #YesOrNo campaign was started after actors criticised the practice of not telling auditionees if that had been unsuccessful.

Closing Down UK Ticket Reselling Sites Won’t Stop Ticket Reselling

“Live music is the one part of the music industry generating sustained profits, which has meant that the balance of power has swung from record labels and artists to promoters such as Live Nation and its subsidiary Ticketmaster. The defence offered until now by Ticketmaster is that Seatwave existed to facilitate fans – both those wishing to offload tickets for an event they could not longer attend and anyone who’d missed out when a concert went on sale initially. It was undeniable, however, that professional resellers were milking the service for easy profits.”

Morality And US Higher Education, A (Fascinating) History

The transformation of American colleges and universities into corporate concerns is particularly evident in the maze of offices, departments and agencies that manage the moral lives of students. When they appeal to administrators with demands that speakers not be invited, that particular policies be implemented, or that certain individuals be institutionally sanctioned, students are doing what our institutions have formed them to do. They are following procedure, appealing to the institution to manage moral problems, and relying on the administrators who oversee the system.

3D Images Of The Uffizi’s Sculptures Are Now Online

The newly launched website, which was introduced at a ceremony in Florence last Tuesday, allows anyone with internet access to see and study the Uffizi’s world-class collection. Since the project was first announced in 2016, the Indiana University team recorded 3D scans of more than 300 artifacts, fragments, and sculptures under the direction of Indiana University informatics professor and virtual-archaeology expert Bernhard Frischer.

Clues To How Max Hollein Will Run The Met Museum?

Hollein, who as of this August is the Met’s tenth director, strikes many people as being preposterously well qualified for the position. Forty-nine years old and armed with degrees in art history and business administration, he has already directed five museums and overseen the fund-raising and building of a new wing for one of them. He’s curated shows that range from old-master art to Pablo Picasso and Jeff Koons, and delivered excellent admissions. He gets along equally well with artists, curators, board members, donors, and scholars. The only downside to his appointment is that he’s not a woman.

Time For Asian-Americans To Forgive ‘The Joy Luck Club’?

“If you want to see a community turn against an artwork that depicts them, make it the only one. If that artwork is by a woman, about women, and openly feminist, half the job’s already done. … [The Joy Luck Club‘s] greatest achievement — becoming the most prominent example of Asian-American representation on screen for a quarter century — is also what has relegated it to being a relic and, for many Asians, an embarrassment.” Well, argues Inkoo Kang, it’s time to get over all that.

Why Is Chinese Art Around The World Being Stolen?

In the face of China’s repatriation campaign—and the recent robberies—museums are now scrambling. Some have stood their ground, arguing the legitimacy of their acquisitions or touting the value to the Chinese of sharing their culture abroad. Others have quietly shipped crates of art back to China, in hopes of avoiding trouble with either the thieves or the government.

A Color-Blind – Make That ‘Color-Inclusive’ – Film Of ‘David Copperfield’

In the upcoming adaptation by Armando Ianucci (Veep, The Death of Stalin), Dev Patel takes the title role, with black, Asian, and white actors spread throughout. Says producer Kevin Loader, “I think we felt this was how you’d get the best cast more than anything else. And suddenly you can have Benedict Wong coming in to play Mr. Wickfield, and he’s hilarious. He wouldn’t have been cast in the BBC version of David Copperfield.”