Blog

U.S. Cities Are Putting Life-Sized Games In Parks

“Whether it’s supersized chess and checkers in Buffalo or giant Scrabble at The Wharf in Washington, D.C., the games appeal to children and the young adults who have flooded into cities in recent years, and whom developers and businesses are eager to court. They’re part of a larger push for ‘playable’ cities, and for urban public spaces to be active rather than contemplative.

Contemporary Austin And Blanton Museum Give 500 Artworks To 17 Other Texas Institutions

“Last year the Contemporary Austin and the Blanton Museum of Art announced that 700 works of art from Contemporary’s permanent collection would be transferred to the Blanton, a move that solidified the Contemporary’s focus on collecting outdoor sculpture for its Marcus Sculpture Park. … Today, the Blanton and the Contemporary announced that some 500 of the 700 artworks have now been transferred to 17 Texas art museums. The Blanton has formally acquired 200 pieces of the Contemporary’s legacy collection.”

Smithsonian’s Freer And Sackler Galleries Name New Director

“A Middle East historian and author who is president of the Graduate Center of the City University of New York will be the next director of the Smithsonian’s Asian art museums. Chase F. Robinson will begin his tenure on Dec. 10 as the director of the Arthur M. Sackler Gallery and the Freer Gallery of Art … He succeeds Julian Raby, who retired in December after 15 years.”

Trouble For Hong Kong’s Planned M+ Museum As Lead Contractor Goes Bankrupt

The West Kowloon Cultural District Authority has terminated the $750 million (US) contract of Hsin Chong Construction Company on grounds of insolvency. The Authority, which has kept construction going for the past 18 months by paying subcontractors and workers directly, has halted work at the site for six to eight weeks – but it insists that there will be no further delay in opening the museum.

Meet The Founder Of The Ballet School In Nairobi’s Largest Slum

“Mike Wamaya’s life was turned upside down when his father died and he had to drop out of school to earn money for the family. A chance audition for a visiting performing arts company led to an international career as a performer, but Wamaya wanted to use his skills to help children growing up in the most challenging circumstances in Nairobi. Today, children who complete the programme in Kibera often go on to artistic careers.” (podcast)

A New Gehry-Designed Concert Hall In LA Has Big Implications For The Future Of Orchestras

The YOLA Center in Inglewood is a milestone project for the LA Phil’s Youth Orchestra LA project. Not only will it be a way to produce an unprecedented ethnically diverse new generation of musicians but it also promises to be a new model for ways a cultural institution can serve a community, with the added cachet of it being designed by the architect behind Walt Disney Concert Hall.

Increasingly Irish Arts Are Built On The Backs Of Interns

The arts in Ireland are built on top of unpaid labour. Everyone in the industry knows this. Sporadically, there is outrage about unreasonable advertisements seeking unpaid internships (recent culprits included TV3 and the Fringe Festival) but the hubbub eventually dies away and little changes. Unpaid labour takes different forms. There are the artists, writers and musicians who often create their work for little or no money and can be exploited for this by an entertainment and arts industry eager for content. There are also volunteers who do admittedly valuable work that comes, if truly a form of volunteerism, with no contractual obligations or real responsibility. Internships, on the other hand, are technically meant to be a form of skills training. In recent years, however, “internship” has become shorthand for “unpaid job” and the means by which Irish arts institutions coped with funding shortfalls.

Should Artists Be Fundraisers?

“Should we now encourage, if not outright expect, artists to take a more active and ongoing role in the fundraising business? If they indeed occupy a position that might increase their chances of succeeding at, or contributing to, the success of fundraising, shouldn’t, in the current landscape of the difficulty in fundraising, they be part of the process?”