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La Boheme At The Drive-In

“We listened on car radios. Mine conked out halfway through. Someone else got a flat battery. Hearing through the window was fine. I saw the admirable second cast led by Nardus Williams and David Junghoon Kim as sympathetic and touching lovers, conducted by Martin Fitzpatrick. The event was well organised if, at £103 per car (plus congestion charge), costly. This was a brave experiment – a starting point, if not yet an arrival. The next venture will be better.” – The Guardian

A Sophisticated Livestream Of Dance

Such viewing from afar, once rare in concert dance, has become ordinary. But where most such performances these days are free and prerecorded, this one was ticketed and livestreamed. If you missed the show, you couldn’t catch it later, so it had immediacy. But, unlike most livestreams, this was not a static recording or a glitchy presentation over Zoom. Watching it felt more like watching a movie, immersive and absorbing, yet easily the most technically sophisticated live dance production I’ve seen since theaters closed. – The New York Times

Why Postponing The Philip Guston Show Is Just Wrong

Never mind that Guston, who was Jewish and died in 1980, had a powerful record, going back to his youth, of anti-racist actions and imagery. Never mind that two of today’s leading African American artists, including Glenn Ligon and Trenton Doyle Hancock, have contributed essays to the catalogue (Ligon even praising Guston in his essay as “woke”). And never mind that it’s absurd to require artists to pass such litmus tests in the first place. – Washington Post

Philadelphia’s BalletX Experiments With A Virtual Subscription

To watch them, you have to subscribe to BalletX Beyond, which also gives you access to premieres later in the season, along with extras like interviews and making-of documentaries. The cheapest plan is $15 a month — less than a ticket to a live show but almost as much as premium Netflix. It’s a necessary experiment, especially for companies without huge endowments. Somebody has to figure out how to get people to pay for digital dance. – The New York Times