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Michael Novak Talks About Taking Over From Paul Taylor

“We have to acknowledge that culture does change. It will affect how we present the Taylor canon. How do we take Paul’s work and curate it in a way that will serve its audience? Look at New York City Ballet and how they present Balanchine’s legacy. Balanchine created a range of works that need to be coached differently, and I see a lot of analogies to Paul’s work.”

Why The ‘Overtourism’ Devouring Europe Will Be Difficult To Fix

“Managing a tourist destination is something like managing a natural resource, like a mine or a fishery; a sustainable level of tourists brings widespread gains to the local economy, but too many ruin it for everyone. … That so many different forces” — especially technological developments — “play into overtourism highlights the difficulties of doing much about it.”

Minnesota Orchestra Looks Back On Its Tour Of South Africa: ‘One Of The Great Experiences In Our Professional Lives’

“The numbers begin to paint the picture: Over 5,000 people attended concerts in Cape Town, Durban, Pretoria, Soweto and Johannesburg. Hundreds of students, ranging from elementary school to college age, joined performances, rehearsals and master classes with Minnesota Orchestra musicians. For many audience members, it was the first time with a live orchestra. For some it was the first time even hearing classical music. The reception ranged from amazement to rapturous applause.”

BBC Under Fire For Casting Able-Bodied Actor As ‘Elephant Man’

The BBC is being accused of ableism after casting Stranger Things star Charlie Heaton to play Joseph Merrick in its upcoming adaptation of The Elephant Man. Merrick — who had severe facial and body disfigurements thought to be a result of Proteus syndrome — died in 1890 at age 27. Though the Londoner has previously been portrayed by able-bodied actors like John Hurt and Bradley Cooper, Heaton’s casting has been [criticized by disability advocates and actors].”

Toronto International Film Festival Has A Plan To Diversify The Critics Who Write About It

Using funding from a combination of corporate donors, industry donors and public donations, TIFF offered almost 100 of the critics hotel accommodations for four nights during the festival and a reimbursement of their flight costs to get to Toronto. TIFF is also encouraging press to sign up for the Time’s Up Critical database, which aims to create greater diversity among critics and entertainment reporters. The initiative stems from the Time’s Up movement.