“[New South Wales] Minister for the Arts, Don Harwin, rejected independent recommendations to distribute $660,000 across 17 projects in a recent Create NSW funding round. [Create NSW is the state’s arts funding body.] Harwin instead signed off on funding for only six of the 16 applications, reallocating $404,000 towards a single project, which the ABC identified as the Sydney Symphony Orchestra.”
Blog
Akron Symphony Extends With Music Director Christopher Wilkins Through 2021
“Wilkins has been music director for the 65-year-old orchestra since 2006, and is the sixth conductor.”
A Ringing Defense Of The Printed Page
As for my attempts to express the impact of the screen on the page, on the actual pages of literary novels, I now understand that these were altogether irrelevant to the requirement of the age that everything be easier, faster, and slicker in order to compel the attention of screen viewers. It strikes me that we’re now suffering collectively from a “tyranny of the virtual,” since we find ourselves unable to look away from the screens that mediate not just print but, increasingly, reality itself.
Too Many Biennales?
The unstoppable takeover of the art world by the biennial form is evidenced by the nearly 250 biennials operating globally, listed by the Biennial Foundation’s Directory of Biennials. More than this number, it is the five-fold increase over the last ten years that warrants a certain slack-jawed response.
Do All-Women Exhibitions Help Or Hurt The Cause?
Whether all-women’s shows are an effective long-term strategy for achieving gender equity in the art world at large remains a subject of heated debate. At a panel discussion that accompanied the Studio School exhibit, some artists and curators argued that gender-based shows encourage tokenism and relegate women to the sidelines, while others argued that, after centuries of art shows that featured only men, all-women shows are a necessary corrective.
As Mainstream Museums Diversify What Happens To Culturally-Specific Institutions?
With mainstream institutions like the Metropolitan Museum of Art, the Museum of Modern Art, and the Whitney Museum diversifying to engage wider and more representative publics, what becomes the role of so-called culturally specific institutions—like El Museo, the Studio Museum in Harlem, and the Leslie-Lohman Museum of Gay and Lesbian Art—that were born out of efforts to compensate for such museums’ deficiencies?
Has Arts Council England Misunderstood Cultural Democracy?
Many experts on cultural democracy have suggested that the Arts Council has misunderstood the idea. Community arts specialist François Matarasso made a distinction between the democratisation of culture and cultural democracy. He told AP that the former is a policy – “an initiative as a cultural organisation or as a national body to promote access to culture”. By contrast, he said cultural democracy “is a process, not a state, like democracy itself, in which we negotiate what we believe to be valuable. I don’t think it’s something that you can achieve through policy or initiatives at a national level or at an institutional level.”
New Research: Two Members Of Gainsborough’s Family Were Murdered
The murder victims were the artist’s uncle (1678-1739), who lived in a neighbouring street in Sudbury, and his cousin (1709-39), who then worked in London. Both were also named Thomas. Biographers of the artist since the mid-19th century had failed to note these murders in the family.
How I Maintained My Dance Career After Becoming Paralyzed
Marc Brew, an Australian Ballet alumnus who is now artistic director of the Oakland-based AXIS Dance Company, writes about the spinal-cord injury that left him in a wheelchair and how he continued to work as a performer and choreographer afterward.
Targets and Timeframes
To be sustainable, community engagement must benefit the arts organization in tangible ways. To be supported institutionally, the path to ticket sales, funding, and public policy must be articulated and tracked. A principal difficulty in this is that in order to accomplish these gains we must do work in marketing, funding, and advocacy that we’ve almost never done before.