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‘I Went To As Many Instagramable ‘Museums,’ ‘Factories’ And ‘Mansions’ As I Could. They Nearly Broke Me.’

Amanda Hess visited the Museum of Ice Cream’s New York pop-up, the Rosé Mansion, Candytopia, Color Factory, 29Rooms, and even a preview party for the upcoming Museum of Pizza. “I realize that I have a ‘fun’ job that it’s annoying to complain about: Oh no, I have to drink free wine and eat ice cream. But as my summer of pop-ups dragged on, I began to dread my evenings. What began as a kicky story idea became a masochistic march through voids of meaning. … And yet, the ‘experience’ has emerged as among the defining fads of my generation.”

Long-Lost Galileo Letter Shows How He Framed His (Then) Controversial Ideas

Many copies of the letter were made, and two differing versions exist — one that was sent to the Inquisition in Rome and another with less inflammatory language. But because the original letter was assumed to be lost, it wasn’t clear whether incensed clergymen had doctored the letter to strengthen their case for heresy — something Galileo complained about to friends — or whether Galileo wrote the strong version, then decided to soften his own words.

Composer And Flutist Katherine Hoover, 80

“[She] began writing music in earnest in the early 1970s, a time when few women were having success in the male-dominated world of classical composing, and she was still creating new works into this decade. … Her best-known work, though, was probably Kokopeli (1990), a piece for flute that was inspired, as were a number of her other compositions, by American Indian music and culture.”

The Art World Had Its Own Alan Sokal, Back In The 1920s

“In 1924, American literary scholar and author Paul Jordan-Smith adopted a new identity: Pavel Jerdanowitch, an avant-garde Russian artist whose visceral paintings would beguile modern art critics. Parading as Jerdanowitch for the next three years, Jordan-Smith gained traction at the helm of his one-man art movement, which he called Disumbrationism. But Jordan-Smith wasn’t a brooding artist from Moscow, and Disumbrationism was less of an aesthetic than it was a practical joke intended to shame the art world.”

Micheline Rozan, Who Kept Peter Brook’s Paris Theatre Functioning, Dead At 89

“To a large extent, from 1970 on, it was Ms. Rozan who enabled Mr. Brook, one of the 20th century’s greatest theater directors, to follow his creative instincts wherever they led. She found the money, ironed out the logistics and ran the interference necessary to allow him to stage memorable works like The Mahabharata, a nine-hour epic based on a Hindu poem, and La Tragédie de Carmen, a version of the Bizet opera that played Broadway in 1983.”

After 40-Odd Years, We’ll Finally Be Able To Watch Orson Welles’s Last Film

Even by his standards, the making of The Other Side of the Wind was a long and messy process; he did finally finish shooting, but he never finished fussing over the editing before he died in 1985. But, thanks to hard work from friends and colleagues and funding from Netflix, a plausible version of the movie will be available for streaming in November. Writer Craig Hubert explains the story, the satire (very meta), and the fistfight with Ernest Hemingway that started it all.