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The Film Critics At The Toronto Film Festival Were More Diverse Than Usual By Plan, But What’s Next?

One critic says that TIFF did a pretty good job: “It’s one thing to say we need to be there. But we’ve been on the carpets and in these rooms and felt the disrespect. I didn’t feel like an outsider [at TIFF] and that is getting it right. It felt like a genuine change they were actually trying to be part of.” But now? Larger outlets need to diversify their rosters.

Geta Bratescu, Who Braved The Ceausescu Regime To Make Art With Humor, Has Died At 92

Bratescu remained unknown outside Romania until she was in her 80s, but then had major solo shows and represented her country at the Venice Biennale in 2017. “‘A project gets created at the work desk, not in the head,’ she told the online arts magazine The Calvert Journal last year in a typically sparse comment. ‘Art is form.'”

The Gutenberg Bible Was An Information Revolution That Changed The World

The first printed Old and New Testaments, reproduced in this new Taschen facsimile edition in two folio volumes, marked a cultural turning point, which was to shape religious controversies and political crises and conflicts throughout the following centuries. The production was technically complex and required an extraordinary amount of careful labour, which included setting 42 lines of text per page, consuming 2,500 bits of type, drawn from a font of 300 distinctive pieces.

The Senate Judiciary Committee – A Tale Of Two Internets

If you are liberal—and in this political climate, we’re calling readers of The New York TimesThe Washington Post, and CNN liberals—you went on the internet this morning and saw a flood of #BelieveWomen tweets and women talking about how Blasey Ford’s testimony moved them to tears.  But if you are conservative, you went on the internet today and saw a deluge of #BackBrett tweets, a great deal about flying, and a lot of lamenting.

San Francisco Theatres Fight In Court Over Who Gets To Stage ‘Harry Potter’ And ‘Evan Hansen’

“Nederlander of San Francisco, which operates that city’s Orpheum and Golden Gate theaters, this week asked a judge to prevent an ally-turned-rival, the producer Carole Shorenstein Hays, from staging the shows” — Harry Potter and the Cursed Child and Dear Evan Hansen — “at the nearby Curran Theater, which she owns and has lavishly restored and ambitiously programmed.”

How “Hair” Changed Theatre In London Fifty Years Ago

Prior to the autumn of 1968, any reference to homosexuality, bisexuality and nude performances would have been considered too outrageous to be shown on a British stage. Even something as seemingly harmless as a reference to Walt Whitman’s poetry collection, Leaves of Grass, in John Osborne’s play Personal Enemy, was banned because it was seen as a codified reference to homosexuality.