Life, I’m told, is supposed to slow down as you grow older, but the opposite has happened to me.
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How Schizophrenia Illuminates The Qualities Of Pleasure
Pleasure is not just about experiencing an enjoyable moment. It also involves anticipation – a connection between one’s present and future selves. This is a crucial distinction. Pleasure is not just about the consummatory (that is, in-the-moment) experience, but also anticipatory pleasure: the ability to both look forward to future pleasurable experiences, as well as to enjoy the anticipation of pleasure in and of itself. Schizophrenia makes this distinction clear.
A Flamenco Dance Its Creator Will Perform Only While Pregnant
Rocío Molina conceived (ahem) the work, titled Grito Pelao, with singer Sílvia Pérez Cruz as a celebration of pregnancy and motherhood. “I will stop performing [the piece] in October because I will no longer be able to dance,” says Molina, “as I’ll be almost eight months pregnant. I’ve always liked the idea of the piece dying when I give birth to a new life, so I think that is ultimately what will happen. I can’t talk about being pregnant if I no longer have the baby inside of me.”
Sotheby’s Banksy Stunt Illustrates The Art Of Stunt (Or Stunt Of Art)
“Art, which once reflected values aloof from simple (or complicated) greed, has been insidiously absorbed into the economy of commercial products,” Gary Indiana wrote in 1986, “its cash worth determined by dicey variables unlike the ones fixed for ordinary commodities.” The difference now is that the variables that determine art’s monetary value are no longer seen as dicey. Instead, they’re understood as art itself.
After Half A Century, The Puppeteer Behind Big Bird And Oscar The Grouch Is Leaving ‘Sesame Street’
Carroll Spinney, now 84, has been playing the two characters since the show’s launch in 1969 and has appeared in thousands of episodes (not to mention a feature film, a documentary, and guest appearances on other shows).
Alfred Hubay, 93, The Metropolitan Opera’s Box Office Whiz
His job titles belie his importance at the company; Mr. Hubay did far more than oversee ticket sales. He became something of an expert on opera and opera singers, so much so that he would be asked to judge singing and scholarship competitions. He also served on the boards of numerous musical organizations, including the Glimmerglass Opera, the Oratorio Society of New York and the Marilyn Horne Foundation.
American TV Was On Its Way To Being Diverse Back In The 1940s. Here’s Why We Got ‘Leave It To Beaver’ Instead
“At the start of the Cold War, a prominent group of women, who had worked their way up in broadcast media in the 1930s and ’40s, were poised to use the new medium of television to create the kind of inclusive, intersectional content that is only today finding traction. Then, the blacklist, a vicious, hearsay-riddled manifest of Hollywood talent with ties to Communism, silenced their creative output. It effectively turned back on the dial of progressive representations on TV by decades.”
As Palestinian Political Prospects Dim, A Turn Towards Arts And Culture
What started out as independent artists wishing to express themselves has grown into a collaborative campaign of sorts, with individuals and cultural organizations banding together to promote Palestinian arts.
The Gender Gap In Top Orchestras Is Still Too Wide
“Quartz at Work examined the instruments played by the musicians of the world’s 20 greatest orchestras, as ranked by the UK’s Gramophone magazine [in 2008], to understand how gender shapes their composition.” The findings? Not only are the musician ranks as a whole predominantly male (69%), but with some instruments, the divide is much larger.
It’s Not Only Denise Scott Brown: The Great Female Architects Overlooked In Favor Of Their Husbands
“Scott Brown is not alone. A deeply institutionalised invisibility cloak has long obscured the women in successful architectural partnerships, whether it’s MJ Long’s work on the British Library, a project usually credited to her husband Colin St John Wilson, or Su Rogers and Wendy Foster’s work on early projects with their husbands, Richard and Norman.”
