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The Incredible Drama Around ‘Doctor Zhivago’ And The Nobel Prize (A Dive Into The New York Times Archives)

“Sixty years ago, the Swedish Academy awarded the Russian author Boris Pasternak the Nobel Prize for Literature, but less than a week later, under pressure from the Soviet government, Pasternak rejected the award. The story, which had more twists and turns than a Cold War-era spy novel, played out in The New York Times with one front-page story after another.”

What’s Killing Classical Music? Music-As-Church

“As a person whose primary beat is writing about religion, I can’t help but notice the parallels between classical music and religion in America today. As an aging Christian population watches its congregations shrink, younger seekers who don’t feel welcomed give up on church. Americans still discover classical music in their youth, but even those who play enthusiastically in school often can’t afford to go to the symphony, or if they do, they’re asked to treat it like a religious space, which it isn’t. Classical music isn’t dying, but our ways of experiencing it are becoming ossified.”

The Vatican’s New Game App Is Like Pokémon Go, But With Saints

Follow JC Go “is based on the hugely popular Pokémon-catching game. But instead of collecting as many Pokémon as possible, players must try and find saints, biblical characters, and other religious figures to add to their Evangelization Team, known as an eTeam, and complete in-game challenges. Similar to Pokémon Go, Follow JC Go uses GPS to detect a user’s location in the city.”

Composer Ennio Morricone Wants Us To Know He’s Really A Modernist (Despite All Those Film Scores)

“[Playing in the avant-garde improvisation group] Nuova Consonanza really reunited me with the love of my life — composing absolute music, music that is not related to a film, or to a pop song. One of our rules was to avoid anything that was melodic, anything that was usual. We had to produce very strange sounds, very complicated sounds, because we wanted to get as far away as possible from the so-called traditions of classical music. The experience with them really helped me to bear the burden of working in the commercial sector.”