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New Program Offers Low-Interest Loans To Arts Groups For ‘Social Impact’

The UK nonprofit Nesta “has launched a new £3.7m fund that will make small repayable loans to English arts, cultural and creative organisations … to help [them] ‘articulate, monitor and evaluate their social impact’. Recipients of longer term loans that can demonstrate they are achieving their goals will be rewarded with lower interest rates.”

The Music Modernization Act Helped Right Some Music Industry Wrongs. Now For The Next Phase

Songwriters and publishers will experience a better licensing process, and higher royalties. Legacy artists will now be ensured of payment from digital radio, in some cases at the highest rates in history. And producers will be better able to collect digital royalties. But there are other issues and injustices that need fixing.

Why Ursula Le Guin Resisted The Science Fiction Label

Although Le Guin was a vocal defender of science fiction and fantasy who argued that those genres had as valid a claim to literature as the best realist or mimetic fiction, she also saw her writing in broader terms. “Where I can get prickly and combative is if I’m just called a sci-fi writer,” Le Guin said. “I’m not. I’m a novelist and poet. Don’t shove me into your damn pigeonhole, where I don’t fit, because I’m all over. My tentacles are coming out of the pigeonhole in all directions.”

Big “Existential” Questions About That AI Art That Sold At Auction Last Week

Why has this become the working definition of “coming to auction”? Because, by and large, we’ve tacitly come to accept that market-leading gatekeepers are the sources that matter most in charting the history of the art market. And as the market becomes an increasingly powerful force in shaping public understanding, they also become (like it or not) the sources that matter most in charting the history of art itself.