After they finished lying to her, researcher Danielle Polage asked the students to again rate their certainty that each of these events had or had not happened. Fascinatingly (and a little creepily), subjects showed a statistically significant change in their beliefs, indicating that they became less sure that untrue events hadn’t happened to them after saying that they had. Conversely, when subjects were later asked to deny events that had happened to them, they became less sure that those events did take place.
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Star Russian Director’s Trial Seen As A Threat To Artistic Freedom
Kirill Serebrennikov has been charged with embezzlement and faces 10 years in prison. Supporters have compared his trial to the purge of directors during the Soviet Union and the censorship of leading writers under the Tsars. “People of culture have always held the most dangerous position in Russia,” Liya Akhedzhakova, a celebrated actor who starred in Soviet classics like Office Romance, told the Guardian in court on Tuesday. “They are the first to be targeted.”
The Answer To Chaos And Threat In The Modern World? The Values Of Our Great Institutions
“We allow our great cultural institutions to fall into disrepair and disrepute because, as we strip them of their reverential traditions and their arduous canon, we also strip them of our reasons to cherish them. We call them before the tribunal of public opinion to justify their very existence, as if we can no longer see through the smog to the heights of Parnassus, lonelier than ever because we have forgotten that it is even there. We attempt to chain the Muses to the machinery of our modern malaise, as if we do not remember that they exist to show us the way to transcend that malaise, to find our way home again, by way of that steep and difficult climb, to the bosom of art and learning.”
How The Idea Of World History Became Possible In The Year 1000 AD
Even Herodotus never considered how to integrate the historic timelines of the Greeks, Egyptians, and Persians. The problem was the lack of any fixed common calendar, any agreed-upon way of determining which year was which and what happened when, since each civilization had its own notional Year One. Then, because he got tired of having to consult many different books, the ruler of a kingdom on the Caspian Sea asked a Persian scholar to develop a timeline that could cover all peoples and their histories. (It was only happenstance that this happened in a year that carried a big round number in the European calendar.)
Once Great Works Of Art Are Sold, They’re Gone. Disappeared.
Should there be some legislation against the risk that a buyer will effectively or literally destroy a work of art? Particularly one which could be designated a “world treasure”, on a list of the sort that Unesco releases on protected monuments? One that would oblige private owners to make the works accessible within reasonable terms and require them to maintain the work, which could be considered a matter of international interest?
Could This Be The Next Big Art Market Scandal?
“Third-party guarantees at auction — the art market’s hybrid of a risk hedge and a speculative gamble — are on track to hit an all-time high of around $2.5bn in 2018. … Such deals are now the norm for high-value Impressionist, Modern and contemporary works. But experts warn that third-party guarantees, if misused, may precipitate a crisis.”
Why We Need A Better Way To Study The Arts
There have been many studies that take advantage of this process, and they bulk out much of the academic literature on the impact and value of the arts. The build-up to this new centre has revealed a critical mass of scholars and artists who have an appetite (and now the opportunity) to do things a bit smarter, with nuance and sensitivity to the richness of cultural experience, that doesn’t simply reduce cultural experiences to mathematical equations.
There’s Just No End — Narrative Closure Is Becoming A Thing Of The Past
Amanda Hess: “The age of the sequel is over. Now it’s the age of the sequel to the sequel. Also the prequel, the reboot, the reunion, the revival, the remake, the spinoff and the stand-alone franchise-adjacent film. Canceled television shows are reinstated. Killed-off characters are resuscitated. Movies do not begin and end so much as they loiter onscreen. And social media is built for infinite scrolling. Nothing ends anymore, and it’s driving me insane.”
The State Of Illinois Needs A New Arts Policy. Really.
The economic-development arguments for the arts are as well-worn as they are indisputably accurate, but it is high time arts advocates in Chicago admit that they have not made an effective statewide case. It also is high time for arts advocates in Chicago to admit that so much state arts funding should not be swallowed up by relatively rich institutions in downtown Chicago. It should be for everyone.
American Theatre Criticism Is Finally Beginning To Bounce Back, And To Get More Diverse
Howard Sherman surveys the current landscape, where experienced critics discarded by legacy publications are now turning up at high-quality websites, and, though an imbalance remains, a few of those legacy outlets have hired younger female and nonwhite writers. (Sherman seems to have forgotten about Hilton Als, though.)