Blog

100 Years Later: Debussy’s Legacy

The better we get to know Debussy, the stronger the contrast between the richness of his musical world and the sordidness of his personal life—and yet, in both music and life, he liked things to be beautiful, rich, and sensually pleasing, and he wanted these things without having to work too hard or too regularly. (Debussy admits that he suffered from a “sickness of delay…and this curious need to never finish” his pieces.)

The Optics Of A Music Problem

New music has done very little to change the expected optics of classical music, which is why new music’s identity problem is what it is today. Moreover, despite the recent increase in conversation about female, non-binary, transgender, and BAME/ALAANA/diverse composers, the programming of these composers has not significantly increased.

Souls Grown Deep, A Foundation That Saves And Collects Works By Overlooked Black Artists In The South

The Atlanta-based organization currently holds more than 1,000 works, by artist ranging from the self-taught Nellie Mae Rowe (whose materials include old egg cartons and chewing gum) to the quilters of Gee’s Bend, Alabama. Along with collecting work themselves, the staffers of Souls Grown Deep are working to place pieces by their artists in museum collections.

Learning Our Relationships With Robots

The word “robot,” like the words “shalom” and “free-range chicken,” does not have a universally agreed-upon definition, but the usual criteria include autonomy, an ability to change its surroundings, intelligence, and the possession of a body. Then it gets trickier: How intelligent? Must a robot be mobile? Is a dishwasher a robot? According to the podcast “Robot or Not?” a self-driving car is not (you designate its destination), but a Roomba is (because it’s more in control of its path than you are).

After Significant Decline In Arts Lottery Funding, Finally An Uptick

Total sales were up 5.4% to £3.5bn, according to the latest figures released by National Lottery operator Camelot, translating into £793.2m for good causes. A fifth of this is allocated to the UK’s four Arts Councils, meaning they will collectively receive just under £159m – a 23% increase on the £129m lottery funding they received this time last year.

Report: UK Arts Funding Shows Significant Class Bias

The plethora of reports and investigations drawn together in the review reveal that people with higher incomes attend arts events in disproportionately high numbers, but they are less likely to actively participate in cultural activities. Participatory arts activities are more popular among those with flexible working schedules and more disposable time than among “those who are both objectively and subjectively ‘busy’”, who opt for less time-consuming forms of leisure.