He was Marcel Marceau’s assistant in his U.S. debut tour, played the Fool to Orson Welles’s Lear, was a founding member of both Yale Rep and American Rep Theatre, and acted in everything from the Greeks to Shakespeare to Brecht and Weill. But he made his biggest mark in the plays of Samuel Beckett. — The New York Times
Blog
I Was An Unhappy, Aging Academic Until Flamenco Transformed My Life
Author and professor Catherine Taylor offers an impressionistic longread, with plenty of video clips, about how her midlife crisis moved her to travel to southern Spain for serious study of the form — and about how its aesthetic and mindset changed her way of being. — The Believer
Tasmanian Billionaire Is Building Hotel-And-Arts-Center Next To His Modern Art Museum
Gambling mogul David Walsh, who built and opened MONA (Museum of Old and New Art) in Hobart in 2011, has announced plans for a complex he’s calling Motown. In addition to 176 high-end hotel rooms, Motown will include a 1,000-seat theatre, a conference center, a library, a gallery, and a spa designed by no less than James Turrell and Marina Abramović. — The Art Newspaper
Prominent UK Musicians Write Letter Urging Canceling Brexit
The letter, published by the Music4EU initiative, describes Brexit as a “significant threat” to the country’s music industry, adding: “Leaving the EU’s customs union, single market, VAT area and regulatory framework (in whole or part) could devastate our global market leadership, and damage our freedom to trade, tour and to promote our artists and our works.” Concerns are also voiced over access to foreign markets and regulation over copyright, before a request to “examine alternative options to maintain our current influence and freedom to trade”. – The Guardian
The MFA Degree-As-Fraud
We are a long way from late-19th-century Paris, where “academic painting” signified technically dazzling neoclassical figures, lush but sterile, and where the brutal disruptions of Manet and the Impressionists were consigned to the “Salon des Refusés.” Beauty within the academies, scandal without. Today these positions are reversed, and the academic institutions that serve as gatekeepers for the art world praise the conceptual, the alienating, and the abstract while disparaging craftsmanship as “merely” pretty and “merely” illustrative — and a sure sign of political quietism. – Chronicle of Higher Education
Liverpool’s Everyman Theatre A Cautionary Tale For Regional Theatre?
Liverpool’s plight is a reminder of just how close to the edge many regional theatres are operating and how perilously near many are to breaching their NPO agreements. As one leading industry insider put it to me: “There are many canaries in cages coughing, if not yet falling off their perches.” As with Liverpool, it wouldn’t take all that much to knock them off, and when one tumbles – particularly one as big as Liverpool – the fear is that more may follow. – The Stage
What We Learned About Making Good Plays: “We Don’t Care If They’re Any Good” (At Least For Awhile)
“What we learned working on Sinan’s play, and several others at that time, completely changed our DNA. We learned that the pressure of rushing to production forced us to take safer approaches and to marginalise the most important visionary of all, the writer.” After Pera Palas, the Lark changed its approach. “We became what I like to call a ‘rehearsal company’. We would be a play lab, a think tank for theatre.” – The Stage
Truth: It Probably Doesn’t Matter Where You Go To College
The seemingly obvious answer is, Of course it matters! How could it not? Ivy League and equivalent institutions provide more than world-class instruction. They confer a lifetime of assistance from prodigiously connected alumni and a message to all future employers that you’re a rarified talent. College isn’t just an education; it’s a network, a signal, and an identity. But what appears obvious may not be true. – The Atlantic
New Tech Could Revolutionize How We Reproduce Art
RePaint, a resin-based 3D printer that renders reproductions in color four times closer to the original than the next-best tool, utilizes a palette of 11 different inks: cyan, magenta, yellow, black, green, blue, orange, red, violet, transparent white and opaque white. Comparatively, traditional 2D printers typically operate in CMYK, or cyan, magenta, yellow and black, which is the keyline color. – Smithsonian
American Heritage Dictionary’s Word “Usage Panel” Is No More
What always seemed most remarkable about the American Heritage Dictionary was its promise to be more discriminating than other dictionaries, and the evidence for this was always its panel of expert language users whose opinions were solicited on many contentious points of usage. This usage panel was presented as a major feature of the dictionary and became a point for endorsement and criticism. – The Weekly Standard