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CBS Tried To Get A Sexual Harassment Suit Dismissed By Saying The Harassed Woman Swore On Set

CBS, of course, is the (former) network of Les Moonves and Charlie Rose. Perhaps not surprisingly, the network’s “Eliza Dushku swore, so she couldn’t have been harassed!” stunt backfired – but it backfired in spectacular fashion when the footage the network proposed as exculpatory showed the actual harassment. Five by five, CBS. (For more details, here’s a timeline of the network’s last 13 months with #MeToo.) – The New York Times

The Power Couple At The Top Of British Indie Films

One Brit and one American reinvented the British indie, and have found massive cross-Atlantic success with everything from The Crying Game to Carol to Collette. And they don’t care for sequels. Elizabeth Karlsen: “Chasing the newest thing can actually be a producer’s downfall. And there is an economic imperative that can set in and make you try to turn movie-making into a science: something it constantly resists.” – The Observer (UK)

Barry Jenkins Says He Specifically Made ‘If Beale Street Could Talk’ For A Black Audience

And what about white audiences? He isn’t worried about cultural tourism. “If the film was engineered expressly for white people to experience black pain, then I would feel a certain kind of way. … Being the creator of the piece, I know that’s not my intent. Having read the novel, I feel like that wasn’t Mr. Baldwin’s intent. I think because of that, I don’t feel any kind of way about the experience of a shared audience experiencing the work.”  – HuffPost

Did Dvorak’s New World Symphony Waken Americans To American Music? Nope

Surprisingly, the premiere led to perplexed disappointment. Listeners agreed that the music was magnificent, but many did not hear anything “American” in it, after all. “Some of those who applauded most loudly,” wrote one Brooklyn critic, “thought the Indian and Negro themes would have been as effective if picked up in Siberia.” – The New York Times