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The Curious Story About The Musician Who Faked His Live Performances?

The Composer’s music moves people, and he is not characterized in the book as necessarily a bad person; he meets with every fan who stays after the concert to chat with him, and he knows his work provides comfort to people going through the hard years after September 11. And his CDs are his own compositions. It’s just that if you were to pay to see a performance by the Composer’s ensemble, it might not necessarily be a “live” rendition by the musicians on the stage in front of you. – New York Magazine

Were The Arts Impacted By The American Government Shutdown?

Bob Lynch tries To Add it up: “A specific example of the chilling effect of the shutdown’s impact on arts organizations and local businesses comes again from the Smithsonian, which reportedly lost $1.5 million in revenue during the first 10 days of the shutdown. According to the Secretary of the Smithsonian David Skorton, the roughly $1 million a week that the institution lost is unrecoverable and will have long-term impact.” – Americans For The Arts

How Hip-Hop Choreographer Rennie Harris Makes A Major Piece On The Alvin Ailey Dancers

“I’m a street dance choreographer. I do street dance on street dancers. I’ve never set an hour-long piece on any other company outside my own, and definitely not on a modern dance company.” Nevertheless, Ailey artistic director Robert Battle decided that Harris was the right person to be the company’s first-ever choreographer in residence. – Dance Magazine

Amazon Pulls Out Of Plans For Queens – When Company Culture Doesn’t Need Local Grief

Amazon had a deal and could have simply gone ahead. But the company had no allegiance to Queens and no need to be where it wasn’t wanted. “Amazon’s retreat from Queens shows us the dynamics of a new local power game — one in which giant tech companies play on the same field with governments, as equals, with equal influence over our economies and communities.” – Axios

Arts Philanthropy Is Losing Out

Unfortunately, big-ticket philanthropy is in the middle of a protracted sea change that is already having a direct effect on the arts. Thirteen years ago, the Journal reported that younger new-money donors were increasingly choosing to give it not to fine-arts organizations but to humanitarian causes like AIDS research and education reform. In 2013, Bill Gates put his seal of moral approval on this new tendency by declaring in an interview with the Financial Times that donating money “to build a new wing for a museum rather than spend it on preventing illnesses that can lead to blindness” was, in his words, “slightly barbaric.” – The Wall Street Journal [paywall]