“Sharon F. Patton, a scholar and the director of the Allen Memorial Art Museum at Oberlin College, yesterday was named director of the Smithsonian’s National Museum of African Art… The museum was founded by Warren Robbins in 1964 as a small private enterprise on Capitol Hill. Under the Smithsonian mantle, it became part of the largely underground complex of halls near the Smithsonian Castle Building. It has 7,000 objects of traditional and contemporary art, the Eliot Elisofon Photographic Archives and the Warren M. Robbins Library.”
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MacArthur Hands Out Some Expensive Party Favors
“The John D. and Catherine T. MacArthur Foundation is giving special one-time grants totaling $21.5 million to 41 Chicago arts and cultural groups ranging from the city’s largest museums to small community-based arts education groups.” The grants come as the foundation celebrates its 25th anniversary, and includes a $14 million gift to National Public Radio, and $1 million each for the Chicago Symphony Orchestra and the Chicago Lyric Opera, among others.
End Of A Historical Line
Art historian Sir Ernst Gombrich was “the last member of a formidable dynasty of philosophers and historians who, beginning in central Europe during the nineteenth century, devoted themselves to discovering the deep structures of human culture.” Gombrich’s narratives describe “the progress of art as a slow, successful conquest of the difficulties of perception. The problem with this view is that the tide of taste runs in absolutely the opposite direction…”
First Gay Bookstore To Close
The Oscar Wilde Memorial Bookshop, in New York’s Greenwich Village, was already a success by the time the Stonewall Riots gave rise to the modern gay rights movement in 1969. But this month, the bookstore, which is believed to have been the world’s first to specialize in gay and lesbian literature, will shut its doors for the last time. Many gay bookstores have been closing in the last decade, ironic victims of the more open society they helped to create, in which gays and lesbians no longer feel the need to hide in self-contained communities, and general-interest bookstores often have gay and lesbian studies sections.
In Search Of The Center Of Music
“New music right now — and in fact, or so I’m thinking, most likely the entire music world—is best described with the old story of the blind people and the elephant. You know the drill. The blind people approach the noble beast. One touches its tail. “This is a rope,” he says. The next one reaches out a hand, and finds the elephant’s trunk. ‘It’s not a rope,’ she says. ‘It’s a snake!’ And so on, till they’re lost in confusion.”
Mitchell To Stay On At PBS
PBS’s controversial chief executive appears to be close to inking a deal extending her contract with the public broadcaster for another three years. Pat Mitchell, who came to PBS from CNN in 1999, has presided over a stormy era for the network, in which it saw much of its market share usurped by specialty cable channels. Mitchell has been criticized for running PBS like a commercial network, but has also drawn praise for her realistic approach to the job, and her willingness to expand the network’s overall mission.
Hell, No, We Won’t Go! (But We’ll Draw A Bit, If You Like)
Where there is war, or the threat of war, there will always be anti-war protest, and a new exhibit examines the movement from an artistic perspective. From Vietnam-era posters depicting the My Lai massacre to T-shirts decrying the Bush administration’s current Iraq policy, visitors can trace not only the recent history of American political demonstration, but the way in which contemporary sensibility informs the art of such protest. In Vietnam, shock value was front and center, but today’s anti-war movement seems to rely as much as anything on the cynical humor often ascribed to Generation X.
Sundance’s Raison d’Etre
The Sundance Film Festival has its critics, of course. Indy producers complain that the Utah-based festival has become too enamored of big-budget Hollywood types in recent years, and big-budget Hollywood types grouse that they can’t get a film shown there unless it stars Parker Posey. But Kenneth Turan thinks that Robert Redford’s festival has found its niche, and it has little to do with budget size: Sundance is the place for films which just don’t seem to fit anywhere else, and its organizers have never abandoned their effort to keep the event fresh and exciting.
Life After Laureate – Quincy Troupe Begins Again
Quincy Troupe, who had to resign as California’s first Poet Laureate and from his teaching job at the University of California, San Diego last fall after it was discovered he had lied on his resume, has settled into a new life. “I think I did the admirable thing by resigning, but that wasn’t enough for some people. They wanted me to bleed. You wouldn’t believe the hate mail that I received. The (racial slurs) I was called. I didn’t do anything that cost anyone a dime. It wasn’t fraud. I didn’t do what the people at Enron did. But some people wanted my head.”
Canada’s Crucial Year
“There is general agreement that 2003 will be a watershed for the Canadian music industry — a year that could either set the industry on a course of renewed viability, or make it as moribund as those dust-covered eight-track cartridges piled in the furnace room.” From digital music to file-sharing, Canadian producers face all the challenges of their American counterparts, compounded by an abysmal exchange rate, and a controversial national tax on blank, recordable CDs.