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Dangerous Dig

“Indian archaeologists prepared on Tuesday to start digging in search of a lost temple whose disputed existence lies at the heart of India’s tense and often violent Hindu-Muslim divide. Archaeologists put up tents at three places at the site in the northern holy town of Ayodhya to maintain secrecy as they search for remains of a temple which some Hindus say was buried under a 16th-century mosque. Hindu zealots razed the mosque in 1992, triggering nationwide Hindu-Muslim riots in which some 3,000 people died.”

State Arts Funding – Going, Going…

States across America are cutting arts funding. “To be sure, it is an extraordinarily difficult time for state budgets. In the mid- to late ’90s, the states enjoyed healthy revenue streams and almost universally cut taxes and increased spending, including on programs mandated by the federal government (like Medicaid and standardized testing). Now, as the economy enters a second year of doldrums, the states — 49 of which are constitutionally required to keep a balanced budget, unlike the federal government—are paying the price for their earlier optimism. Nor does the horizon look particularly rosy, thanks to the federal budget policy being pursued by the Bush administration. With the president calling not only for elimination of the dividend tax, but an acceleration of the 2001 tax cuts, states are not likely to see more revenue any time soon.”

Art Of Compromise -Settling the Broadway Strike

The Broadway musicians strike ended quickly after an all-night negotiating session. “When the negotiators emerged, bleary-eyed, from the talks, neither side claimed victory, and both called the deal a difficult compromise. The main conflict had been over the minimum number of musicians required — currently 24 to 26 — in the orchestra pits of Broadway’s 13 largest theaters. Under the new contract, those minimums were lowered for the next decade to 18 or 19, depending on the theater.”

Translator As Rewriter

Translators serve as an essential link between playwright and audiences who speak a different language. Yet their value is often overlooked. “The best translators. remain as invisible as possible. And yet it is a practice that has an indelible effect on how we perceive the best in what world theatre has to offer.”

NY Artists Migrating Again

New York artists and arts spaces are on the move again, looking for less expensive space. This year’s target area – Hell’s Kitchen in the West 30s. “It isn’t news that artists get used like detergent—cleaning up a neighborhood, then flushed away. What does seem like a huge shift is that some artists spaces are trying to buck this trend by buying buildings.”

Proposed New York Non-Profit Rules May Prove Difficult For Arts Groups

New York’s attorney general has proposed accounting reforms for non-profits. The legislation “would require many New York-based nonprofits to certify financial statements, create audit committees to scrutinize accounting practices, and ensure a sufficient number of independent board members.” Some arts people are wary. Depending on how the legislation is written, arts groups – particularly mid-size arts groups – could have difficulty complying.

Orchestra Musicians In Hard Times

Symphony orchestras are struggling across America. “After relatively flush times in the 1990s, the current problems of the economy are taking their toll. Ticket sales are down for some orchestras; corporate sponsors are withdrawing some support; and foundations, after watching the value of their portfolios drop for several years, are reducing the size of their grants. It’s not helping that state and local governments facing large budget deficits are cutting back on their help for the arts.”

Ambitions, Circumstances Helped Sink Seattle’s ACT Theatre

How did Seattle’s ACT Theatre go from a $5 million annual budget and 60+ employees to a $1.7 million deficit and laying off most of its staff? Misha Berson writes that “a confluence of difficult circumstances and dubious internal decisions, including ACT’s 1996 move to a new facility, swelling artistic ambitions, shifts of leadership, overdependence on credit and the post-9/11 recession” conspired to sink the theatre’s fortunes.