States are slashing arts funding. So are cities. This week the San Jose City Council revealed that “grants for 2003-04 would drop 24 percent below last year’s, to a total of $2.54 million.”
Blog
Asteroid Names After Mister Rogers
An asteroid has been named in honor of Fred Rogers. “Misterrogers,” formerly known as No. 26858, honors Fred Rogers, creator and host of public television’s “Mister Rogers’ Neighborhood.” Rogers died Feb. 27 at age 74.
Outsider Art – 100 Years Since Gauguin
“Exactly 100 years ago next Thursday, Paul Gauguin died alone and in agonising pain in his shack on the Marquesas Islands near Tahiti. He was 54, heavily in debt, his paintings were almost universally derided and he was addicted to morphine ? he may even have been killed by an overdose of the drug, which he took for the suppurating syphilis sores on his legs…”
Reimagining Orwell
George Orwell’s 1984 has longe been interpreted as an anti-communist tract. But that’s not entirely accurate, argues Thomas Pynchon. “Though 1984 has brought aid and comfort to generations of anticommunist ideologues with Pavlovian-response issues of their own, Orwell’s politics were not only of the left, but to the left of left.”
Underground Nation
During 2002, Eric Schlosser’s history-cum-polemic Fast Food Nation sold almost 200,000 copies in its UK paperback alone. His next target? America’s underground vices: “Today, revenues from porn match Hollywood receipts and exceed sales of rock. Some 20 years after Reagan’s ‘War on Drugs’ began, marijuana cultivation has probably overtaken corn ? worth $19 billion annually ? as the nation’s most lucrative cash crop. In Los Angeles County, 28 per cent of all workers are paid in untraceable cash: ‘a triumph of underground practices and values’. Everywhere you look, the underground has flooded the mainstream. Together, these essays build into a secret history of America’s favourite vices.”
Photographs Vs Painting – Hockney Makes His Case
David Hockney says photographs misrepresent war. “For a New York exhibition, Hockney has made a watercolour based on Picasso’s painting ‘Massacre in Korea’. He has called it ‘Problems of Depiction’ and added a note which suggests that both the Picasso and this new spin on it are ‘a painter’s response to the limitations of photography, limitations that are still with us, and need some debate today’.”
Spoken Traditions Into Pages
“The Hmong had a purely oral culture, with no form of writing until the 1950s, when Christian missionaries developed one using the Roman alphabet.” But for Mai Neng Moua, “raised and educated in the United States, it is the permanence and durability of words fastened into sentences and placed on a page that make sense of her life, her family’s history and a culture at a crossroads. Mai is among the first generation of Hmong to write about the history and give voice to contemporary Hmong experiences.” And she’s collected Hmong stories for a book, the first-ever anthology of Hmong-American writing.”
Florida Philharmonic Extends Deathwatch Deadline
The Florida Philharmonic didn’t make its self-imposed deadline of raising $20 million by Friday; it came up with only $3 million. So is it filing for bankruptcy, as threatened? Not quite. The orchestra has stopped selling tickets for concerts after next weekend, said it needs to raise $4 million to keep going instead of $20 million. And it extended a self-imposed deadline for a bankruptcy filing. “The Philharmonic’s board has authorized management to shut down the symphony `as early as May 10 . . . unless there is a groundswell of public support providing immediate commitments of at least $4 million’.”
Making Pops Sing Again
Attendance for the Milwaukee Symphony’s pops concerts seems to be waning. Partly, its a problem of headlining stars who are getting older and appealing to fewer people. Many younger music stars just don’t seem right for the pops. Tom Strini proposes not getting rid of the pops, but reforming how the concerts are mounted…
St. Louis Symphony Digs Out
The St. Louis Symphony, which earlier this season said it was in danger of collapse if a major emergency fundraising campaign wasn’t successful, says it has raised three-quarters of the $40 million it needs to survive. “With $30 million pledged or in hand, the Symphony has 20 months left to bring in the remaining $10 million. But to be really healthy, the Symphony needs more than the $85 million to $90 million in endowment that it will have by the end of the campaign – somewhere more in the neighborhood of $150 million.”
