Filmmaker Leni Riefenstahl has died at the age of 101. “She was the first female film director to attract international acclaim, but her career was curtailed by public, industry and official antipathy owing to her status as “Hitler’s favourite film-maker”.
Blog
From Blurber To Blurbee
Steve Almond lays down some rules for the art of the book blurb. “One of my least favorite experiences as a writer, is listening to other writers whine about being asked to give a blurb. (As with most of my indictments, I am guilty of this crime myself.) What annoys me about these complaints is not just the unacknowledged narcissism — Poor me! How to bear such popularity? — but the basic ingratitude.”
A Poet Laureate For Our Times?
“It would be invidious to suggest that Louise Glück, who last week replaced Billy Collins in the office down Library of Congress way, is the finer poet; better noted is how much more thoroughly she fits the moment. History gets the poets it deserves, and though Ms. Glück isn’t as grim as the newspapers of late, nor as rapaciously bellicose as the administration, she’s no good-time guy. Her poetry is no stranger to difficulty, and has shadows aplenty.”
Big Music’s Problems Beyond The File Traders
File trading is only one of the recording companies’ problems. “Among the problems they cited were the consolidation of radio stations, making it harder to expose new bands and records, and the lack of a widely popular musical trend like teen-pop, which relied on stars like Britney Spears and `N Sync to drive young people to record stores. They also blamed a poor economy and competition for the limited time and money of teenagers and young adults, their main customers, who often find that they prefer buying DVD’s, video games, sneakers and more. Indeed, thousands of music retail stores have closed recently, and the ones that are still open have given shelf space to competing products, like DVD’s and video games.”
Should A Critic Be Disqualified For Being Negative?
Defenders of Chuck Palahniuk’s “Diary,” which recently got a bad review in Salon, suggest that the critic was predisposed to not liking the book and therefore ought not to have reviewed it. Alex Good begs to differ: “This reaction struck me as bizarre. As Auden pointed out, every critic is at heart a polemicist. If you think a book is representative of something that is wrong with our literary culture you have a duty to take it on. There is nothing personal about it. Alas, in a celebrity culture everything is personal.”
News Flash: Customers Don’t Like You If You Sue Them
Prosecuting file traders isn’t likely to win recording companies many fans. “Some music industry analysts and file-trading fans question whether the strategy will do much to further the RIAA’s goal of boosting legitimate music sales. If you’re trying to instill fear, you may have success. But if you’re trying to increase CD sales by getting people to stop sharing music, I don’t think it will have any effect at all.”
Martin Amis – Peace In The Storm
Martin Amis has a new book out and it’s had some critical drubbing. “After a going-over like this it wouldn’t be such a surprise if I were to report that Amis was a broken man: shoulders stooped; grey skin; eyes empty. Actually, he looks in terrific shape. At 54, his slicked-back hair may be of a colour seldom seen on nature’s paint chart, but he’s tanned, relaxed, good-humoured – and thinner than before.”
The “Booker Prize” Of Music?
The Mercury Prize was “conceived in the early 1990s by Jon Webster, then MD of Virgin Records, who envisaged it as ‘the Booker Prize of the music industry’. It would be independent of both the record companies and the music retailers, but endorsed by both. Its serious image would encourage ageing music fans to explore new albums as well as buying CD copies of their old vinyl favourites. And it would promote modern music as ‘art’. But it’s the sheer unpredictability of the Mercury that makes it so charming. Don’t ever believe anyone who says they know who is or isn’t going to win. And has it achieved its original objectives?”
Damien Hirst And The Art Of Trying Too Hard
Damien Hirst’s new show at White Cube took eight years to assemble. “The idea of transition and transformation is everywhere at White Cube: mounds of dead flies turned into crunchy, black, monochrome canvases; cows’ heads as apostles and as Adam and Eve; laboratory supplies and hardware store axes and mallets in reliquaries of martyred saints; animal blood for human blood.” It all has the smell of trying too hard.
Karen Finley Returns
It’s been awhile since performance artist Karen Finley was the poster girl for Culture War controversy. Now she’s back with a new piece and getting new respect. “A lot of things have changed. Women’s rights in some ways have improved from the time I was doing my work 15 years ago. There are just different issues. The issues I’m dealing with now are the chaos of this nation at war and the psychological impact of struggling with a nation mourning.”
