Recording giant EMI confirms that it is in talks to buy Warner Music. But analysts say that EMI’s enormous debt is an imprediment to the deal, and its creditors are ready to downgrade its borrowing capacity. “They have very limited debt capacity and if they were to buy a valuable and profitable business it would have some earnings with it, but our concern is that there is not a lot of scope to increase the overall debt leverage.”
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Malaysia Lowers CD Prices
The Malaysian government has decreed a new maximum price for CDs sold there. And it’s a significant cut in price from the previous ceiling. Artists are trying to be philosophical: “Without compromising on quality, we can still release a good album. But instead of recording 10 songs at the cost of RM50,000, we can produce five songs under RM25,000. It’s just a matter of choosing between quality and quantity. After all, who said an album should comprise 10 songs? And for this new format to work, the industry should work together and not go against one another.”
Hot Ticket Item: Stars Come Out For Disney Hall
The three opening galas in late October for Los Angeles’ new Disney Hall are the hot ticket of the season. “The first night is virtually sold out. Sure, the performing arts community is feeling pressure to attend the Disney galas — it can’t be easy to send regrets. ‘I wouldn’t want to be sitting home those nights. I’d feel so left out!’ But mostly the events are selling themselves, say organizers, who hope to net $7 million.”
Zankell Hall – The Roar Of The Subway
Carnegie Hall’s new Zankell Hall has the potential to change New York’s music scene. But there’s one rather large problem (as practically every critic who’s written about the place has mentioned): the rumble of subway noise. “The problem is doubly frustrating because Zankel’s intermediate size and clear acoustics favor music in the quiet to moderately loud dynamic ranges, and that’s when the noise is most audible, especially on the auditorium’s right side.”
Disney Hall – Pressure To Perform
Talk about pressure. Frank Gehry’s new Disney Hall, home of the Los Angeles Philharmonic, is expected to sound great and provide a transformative piece of architecture for a city not known for great buildings. “It is ironic that Gehry is being criticized for not producing a building that will transform a dreary, lifeless downtown area, since that is what he did more successfully than any other living architect when he designed the Guggenheim in Bilbao. (The phenomenon is even referred to generally as ‘the Bilbao effect.’) He made the first truly popular piece of avant-garde architecture in our time, and suddenly everybody else wanted one, including his own city, where he had not received a major commission until 1988, when he won a competition to design the new hall for the Los Angeles Philharmonic.”
Licensing Improves London’s Underground Performers
A scheme to license performers in London’s Underground is a success, and will be extended. “A trial period in which only officially approved buskers were allowed to perform in designated areas will continue until the end of the year. Organisers said there had been an 82% decrease in ‘busking-related’ police call-outs during the trial. There was less need for police to eject or arrest performers who blocked safety zones or abused staff, they said.”
Biltmore Once Again Graces Manhattan
New York’s Biltmore Theatre, once a thriving landmark, but more recently a derelict shell, is reopening fully refurbished as a home to the venerable Manhattan Theatre Club.
Twilight Of Broadcast TV?
“For the first time in any Emmy telecast, cable shows received more awards than those on the broadcast networks. And it was not even close.”
Has Success Ruined Medieval Plays?
The medieval York mystery plays, originally performed on wagons on the feast of Corpus Christi, are in danger of not being performed again. “The uncertainty has been prompted by a dispute between traditionalists who favour small-scale outdoor performances every three or four years and modernisers who think York Minster should stage a bigger show once a decade. This ambition follows the success in 2000 of the production of the plays by Gregory Doran, of the Royal Shakespeare Company, in York Minster.”
Why Suing Technology Doesn’t Work
Trying to fight new technologies with legal tactics is a losing strategy. Trying to block file-sharing will only delay the technology, not stop it. “Technologies can be stubborn. Efforts to knock them down can send them rebounding back with a new twist. In the case of encryption, the technology continued to grow more powerful and researchers poked holes in the government’s weaker alternatives. In the case of peer-to-peer applications, the makers have found increasingly clever ways to help traders act anonymously, and without a centralized service that can be shut down.”
