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Tainted ‘Tintoretto’: Venice Mayor Mars Kaywin Feldman’s Blockbuster Debut at National Gallery

Having heard Luigi Brugnaro, Mayor of Venice, expound on Tintoretto’s “values” during yesterday’s livestream of the National Gallery of Art’s press preview for the Venetian artist’s first full-scale retrospective in America, I’m convinced that museums need to lay down some content guidelines (especially for non-museum professionals) to discourage pronouncements that are inappropriate for exhibition openings.” – Lee Rosenbaum

Why Trying To Protect The Natural World By Assigning It Human Rights Is A Bad Idea

“How can the law account for the value of complex, nonhuman entities such as rivers, lakes, forests and ecosystems? … Perhaps we should take the idea of ‘the human’ as a rights-bearer and extend it to the complex, nonhuman systems that we wish to protect, that we know are deserving of care and concern. Tempting as it is, this move must be resisted.” Human rights attorney Anna Grear explains why. – Aeon

Here’s What Happens When You Play Mozart, Hard Rock, Techno, And Hip-Hop To Ripening Swiss Cheese

Last fall, Swiss researchers exposed nine wheels of Emmentaler in an aging cellar to various types of music: classical (Mozart’s Magic Flute), rock (Led Zeppelin’s “Stairway to Heaven”), techno (Vril’s “UV”), hip-hop (A Tribe Called Quest’s “Jazz (We’ve Got)”) ambient music (Yello’s “Monolith”), and, as controls, steady high, medium and low tones and silence. All were on nonstop loops, with mini-transducers transmitting the sounds directly into the cheese wheels. After six months, the wheels were taken out and taste-tested — and here are the results. (So why was the classical music used Mozart instead of Mahler, Monteverdi, Stravinsky, or Steve Reich?) – Smithsonian Magazine

Against The Bad Sex In Fiction Awards

Catherine Brown: “At the risk of taking too-seriously an award of which the keynote is not seriousness, there are several problems involved in this that are worth considering. One is the implicit hypocrisy that the award has brought great publicity to its parent magazine because of the very fact – which the award ostensibly disparages – that sex sells.” – IAI News

Oregon Shakespeare Festival Names Bill Rauch’s Successor As Artistic Director

“Nataki Garrett, currently serving as acting artistic director for the Denver Center for the Performing Arts, will take the reins in August … The announcement ends a nearly yearlong search following Rauch’s February 2018 announcement that he would step down from the post — also this August — for his new artistic directing job at the Ronald O. Perelman Center for Performing Arts at the World Trade Center in New York City.” – The Mail Tribune (Medford, OR)