Part of postmodern dance’s power lay in the fact that, for all of its foreignness, it was also familiar. Here were movements taken from the street or home and performed by able but merely human bodies in intimate settings — namely at downtown galleries, lofts or the freewheeling Judson Memorial Church in Greenwich Village, either in the main sanctuary or upon the painted lines of the basement basketball court. – The New York Times
Blog
New Yorkers Have Named The Vessel-Stairwell-Thingy At Hudson Yards
The developer of Hudson Yards temporarily christened Thomas Heatherwick’s big bronze stack of stairways The Vessel, but — just as 30 St Mary Axe in London is “the Gherkin” and Cloud Gate in Chicago’s Millennium Park is “the Bean” (whether Norman Foster and Anish Kapoor like it or not) — New York’s new selfie-attraction is now “the Shawarma.” – Slate
My Particular Beef
One day, Edythe called me into the bedroom and said it was time for us to have a real meal, a roast beef. “You can do it, it’s easy.” That’s the first thing I cooked all by myself, a year or so before my bar mitzvah. And it’s what I cooked yesterday, for the second time in my life, 60 years later. – Jeff Weinstein
Where Chicago’s Candidates For Mayor Stand On The Arts
Both candidates exist on the progressive spectrum. Both candidates have problematic pasts and positive potential. Both appear to be arts-knowledgeable, but at February’s Mayoral Arts Forum, sponsored by Arts Alliance Illinois and the League of Chicago Theatres, they sat shoulder-to-shoulder with their fellow candidates in terms of their uncertainty around Chicago’s current arts policies. – Clyde Fitch Report
‘Affect Theory’ And How It Explains Living In 2019 America
So what is “affect theory”? “Under its influence, critics attended to affective charge [in society]. They saw our world as shaped not simply by narratives and arguments but also by nonlinguistic effects — by mood, by atmosphere, by feelings.” Writer Hua Hsu looks at the work of one of affect theory’s main proponents today: Lauren Berlant, co-founder of the Feel Tank (as opposed to think tank) Chicago, and her idea of the “cruel optimism” Americans hang on to. – The New Yorker
Striking Chicago Symphony Musicians Talk About What’s At Stake
We do not easily fit into the capitalistic system. And this is a good thing. The best things in life — education, medical care, love, nurturance —also do not fit neatly into economic life. – Jacobin
Shen Yun: Chinese Classical Dance Extravaganza Or Anti-Communist Cult? Well, …
If you live in an American city with a sizeable performing arts center, at some point you’ve probably seen ads or flyers for this touring company. Writer Jia Tolentino had never paid them much mind until her parents took her to see them as a Christmas surprise. She had to go a second time to believe what she’d seen. – The New Yorker
NY’s Antiquarian Book Fair: A Marketplace Of Fascinating Stories
For people with modest bank accounts, a tour of the fair amounts to a trip to an exhibit or museum, with dealers happily telling the often fascinating stories behind their wares, even if a potential sale is nowhere in sight. The 59th edition of the fair took place March 7 to 10 at the Park Avenue Armory. – The New York Times
Developing New And Diverse Theatre Critics In A Town Without A Culture Of Criticism
The English city of Hull has a lively theatre scene for a town its size, but the local newspaper published only two theatre reviews in the whole of 2018, and the national critics rarely make it to Hull. Jamie Potter of the city’s Middle Child Theatre writes about how his company developed and launched a New Critics Programme to recruit and establish at least eight new critics over four years. (And they made a point of seeing that the writers they chose weren’t all, as Potter puts it, “male, pale, and stale.”) – HowlRound
Why Elvis Is A Cultural Force 42 Years After His Death
A few rare individuals in every period integrate, express and add to the values of their time and place in a unique way and become symbols of that time. More than any other national figure of the 1950s, Elvis Presley represented American youthfulness and became a generation’s symbol. – Quadrant
