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How This Dancer With Cerebral Palsy Stays Performance-Ready

As a dancer with hemiplegia cerebral palsy, Jerron Herman has never been far from the physical therapy room — or an occupational therapist or some kind of medical interventionist. ‘I’m almost always in deep conversation with that kind of practitioner,’ says Herman, who performs with Heidi Latsky Dance. It’s part of keeping his body ready to dance — and to move throughout his daily life. Herman shared his routine with [Rachel Rizzuto].” – Dance Magazine

‘King Lear’ with Glenda Jackson and everything else that’s happening now

Great Shakespeare plays take the color of their surroundings – if the production is doing its job – and Broadway’ new King Lear is accomplishing that. But how could any alert, modern Lear production avoid the current parallels with lines such as “‘Tis the time’s plague when madmen lead the blind” and “Get thee glass eyes and, like a scurvy politician, seem to see the things thou dost not.” – David Patrick Stearns

When Gustav Mahler Rode The New York Subways

Oh yes, he traveled by subway during his years (1908-11) as director of the New York Philharmonic. (He’d have taken one of the BMT lines to conduct at the Brooklyn Academy of Music and the now-gone Ninth Avenue El to get home on the Upper West Side.) “Yet claiming Mahler as a New Yorker … is complicated,” writes David Patrick Stearns. “Connect the dots one way, New York was Mahler’s nightmare and possibly his undoing. Connect the dots another way, and Mahler himself was a nightmare no matter where he was.” – WQXR (New York City)

She Wasn’t Just A Pioneering Silent Film Director, She Was An Auteur — And Her Material Would Be Considered Sensitive Even Today

Caryn James: “A nude scene! Abortion; birth control; prostitution! In the silent-movie era, Lois Weber’s films were shockingly ahead of their time – and also immensely popular. She wrote, directed, produced and sometimes starred in her films, and in 1916 was the highest paid studio director in the US, man or woman. She pioneered techniques including split screen and double exposure, for a time ran her own studio, and along with Alice Guy-Blach​é was one of the two women who contributed the most to cinema at its start. But she died alone, broke and nearly forgotten in 1939. What happened?” – BBC