“[Culturally] blurred lines between fiction and nonfiction are appropriate for Israeli writers like [Amos] Oz, David Grossman, and A. B. Yehoshua, who are deeply engaged peace activists as well as novelists. All three flew to Geneva two weeks ago to take part in ceremonies surrounding the signing of the Geneva Accord, a new, extragovernmental peace pact negotiated by Israeli and Palestinian civilians. For most of their careers, including the past three years, as the second Palestinian intifada has waxed and waned, these writers have been struggling to address the problems of their country while trying to find the peace and quiet necessary for their literary work.”
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Christianity For The Matrix Generation
Increasingly, it seems as if the current generation of teens and young adults is getting its moral guidance in the form of entertainment, rather than from religion. In fact, the line between Christian theology and secular moralism seems to be increasingly blurry, with blockbuster movie franchises like The Matrix and Lord of the Rings presenting morality plays not dissimilar from the ones you might find in the Bible. Some Christians see the pop culture moralists as a threat, of course, but increasingly, non-denominational Christian churches are embracing secular pop as a way to draw in the next generation of devout churchgoers.
Stop Explaining My Art!
Astronomers in Texas have determined that the famous figure in Edvard Munch’s famous painting, The Scream, is meant to be reacting to a frightening, fiery Norwegian sunset, caused by the eruption of an Indonesian volcano. Kate Taylor would like these astronomers, and all other art-explaining scientists, to kindly take a seat and stop telling her what her favorite paintings are about. “The eager detectives who ferret out the scientific details of these artistic experiences always argue they don’t mean to diminish the art, but that is the effect, however unintended, of their discoveries.”
What’s Uglier Than A Dancer’s Feet? Her Shoes.
Dancers love a nice pair of new shoes as much as anyone. But you’d never know it by the way they treat them. The process of “breaking in” a new pair of pointe shoes begins with ripping them apart, and taking a knife to the innards. From there, it’s up to the individual dancer, and some are more, ahem, aggressive than others, but let’s just say that Krazy Glue and nails are frequently involved. And when all else fails, you might as well try slamming the shoe in a door hinge a few times before you strap it on. Pretty brutal treatment for such delicate-looking apparel? You bet. But when you spend your whole career on your toes, you’d better be comfortable.
Aftermath: Robert Hughes Looks Back
“Everyone is at least familiar with the horror story surrounding Robert Hughes, the renowned Australian art critic and TV talking head: the accident that left him crippled, the threat of extortion that came from some of the travellers in the other car, the dangerous driving charges that were laid, then dismissed, then reinstated, and his subsequent sentencing in a court this year.” Hughes, who has written a new book on Goya, seems decidedly embittered by his experiences, and is furious with elements of the Australian press who sought to tar him as irresponsible and bigoted. He also believes that he was a victim of a judiciary run amok in provincial Western Australia. And just for the record, he believes that George W. Bush is “[leaching] any sense of democracy out” of America. In short, Hughes is not a happy man.
Desperate Times Call For Desperate PR Missteps
When the Art Gallery of Ontario announced, at the end of November, that it would be temporarily shuttering its Canadian wing, it took some time for the significance to reverberate with the public. But now that it has sunk in that the public will no longer have access to one of Canada’s most important collections, negative reaction is building. Sarah Milroy writes that the AGO has some legitimate business motives behind its decision, but that it is making all the wrong moves for all the right reasons. What could AGO have done differently? “The contrast to Toronto’s Royal Ontario Museum is instructive,” says Milroy.
Canada Enacts Tax On MP3 Players
Canada is imposing a new tax on MP3 players. “A price increase of between $2 and $25 will come into effect after the Copyright Board of Canada gave the go-ahead Friday on a new levy for digital audio recorders, including Apple’s hot-selling IPod. The move is part of several efforts underway to combat music downloading and copying.”
Why Has Berlioz Been So Ill-Treated?
The Berlioz bicentennial has hardly made a dent in the standing of France’s greatest composer. “The diplomatic contagion of French ambivalence has encouraged the rest of the musical world to treat Berlioz as an objet trouve, an acquired taste instead of an established one. Two centuries after his birth, Berlioz is not espoused by concertgoers with the confidence they attach to Brahms, whose revelations were minor by comparison. The bicentennial year is ending without a perceptible improvement in Berlioz appreciation. The innate pettiness of France has condemned its greatest composer to perpetual disavowal, his bones to a peripheral tomb.”
Critic’s Lament: Santa – How About Fewer Self-Published Books?
Book critic Patti Thorn makes her Chrsitmas list. And what does she long for? “A good, juicy scandal. Jonathan Franzen’s tiff with Oprah was so much fun, but that was two long years ago. In 2003, the best you brought us was a few disgruntled literati upset that Stephen King was feted at the National Book Awards ceremony despite his – gasp – commercial success.”
Italy On Sale
A bill likely to pass in the Italian parliament would allow the state to sell off state assests – including buildings and possibly artworks. “Although the Colosseum and the Uffizi, for example, are both State property, no one believes that these will be carrying For Sale signs. Most people agree that the State owns vast numbers of former barracks, redundant post offices and stations, holiday homes for civil servants, and other unimportant buildings that can usefully pass into private hands. There might, however, be unrecognised treasures among these.”