Blog

Deposed Conductor Hopes For Reinstatement

The deposed conductor of the Kitchener-Waterloo Symphony is hoping that a citizens group will find a way to pressure the orchestra to rehire him. “Speaking yesterday from his home in Berlin, Martin Fischer-Dieskau said it’s his ambition to ‘be able to say what’s happened has been only an interruption in the orchestra’s inexorable way to greater achievement. But I can’t, at least not for the time being.”

Understanding Orwell

“It’s ironic, then, that we have no record of George Orwell’s own voice. Orwell delivered hundreds of BBC radio broadcasts during World War II, but not a whisper remains. There isn’t any film footage of him, either. We have plenty of written records of him, naturally. In fact, for last year’s centennial of Orwell’s birth, two new biographies were released – Gordon Bowker’s Inside George Orwell and D.J. Taylor’s Whitbread Prize-winning Orwell: The Life – as well as a sizable new collection of his essays.”

Dali Rights Dispute

Salvator Dali’s biographer claims that he owns the rights to Dali’s commercial work. But the Dali Foundation disputes the claim, and the row hangs like a cloud over celebrations of the surrealist’s 100th birthday. “Dalí has turned out to be as much of a cash generator since his death as he was during his money-obsessed career. The foundation, which runs a museum in his birthplace, Figueres in north-east Spain, expects to earn more than €1m a year.”

Painter Attacks Contemporary Art(ists)

Sir Kyffin Williams, one of the UK’s leading painters, attacks contemporary art and artists. “Speaking at the opening of the Oriel Gwyngyll gallery in Llanfairpwll, north Wales, on Monday night, he blamed the art establishment, including the arts councils and competitions like the Turner Prize and the Welsh-funded Artes Mundi. “Nobody ever likes the work in the Turner Prize. Conceptual installation art is worthless and people don’t want it. Galleries are desperately trying to find young artists who can draw – even in places like Cardiff and London’.”

The Ring Of Sweet Money

The fastest growing segment of the music business? Ring tones for phones. “Sales of mobile-phone ring tones, those tiny song recordings programmed into millions of cell phones around the world, jumped 40 percent in the past year to $3.5 billion, according to a study released Tuesday. The worldwide sale of ring tones, which started as a marketing gimmick for music labels and mobile phone companies, is roughly equivalent to 10 percent of the $32.2 billion global music market.”

What In The World?

What, exactly, is world music, asks Andrew Taylor, and “does it help us to assign categories that cannot be defined? Of course, most would answer that ‘world music’ is non-European music, or compositions, cultural expressions, and performances from cultures other than the traditional performing arts fare. It’s music from the Middle East, China, Africa, Israel, Nepal, and so on. And we categorize it because it makes it easier to talk about it, program it, and present it to an audience – we can have a ‘world music’ series and everyone will know what we mean. The problem is, such categories seem to cause more problems than they solve – both from a business and aesthetic perspective.”

No Child Left Behind Music

There seems to be a relationship between learning music and excelling in other subjects. So “if a school is not teaching music as intensively and zealously as it’s teaching math and science, then it’s not teaching math and science. The decline in music education is a big part of the problem in math and science education.”

Digital Improves Recording Company Outlook

After a couple of years when music sales were down, 2003 was something of a turnaround. “More than 19.2 million digital tracks were sold online in the past six months, according to Nielsen Soundscan, helping to narrow the music industry’s losses last year. Overall, North American music sales were down 0.8 percent last year compared with 2002, while album sales, which includes cassettes and other formats, were down 3.6 percent, according to Nielsen Soundscan.”