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Boston Dance Center Dream On The Line

Dan Yonah Ben-Dror Marshall had a dream to open a community dance center in the Boston area. “With a lot of help from friends and family, he opened the Brookline Community Center for the Arts in Coolidge Corner early last year. With six studios, provisions for live music and performances, and about 100 teachers on board, he thought this one-stop shopping for dance would sell itself in no time. One year later, the center is struggling to stay afloat, and the dream could very well die on July 15.”

New York’s Dance Guru

“Like the top teachers who came before him — Stanley Williams, Maggie Black, David Howard — Wilhelm Burmann, who has presided over this particular 90-minute class for nearly 20 years, is easily the most revered New York ballet teacher of his era. That his class is packed with ballet stars who forgo company class in favor of his instruction is a testament to his remarkable ability to see the problem, be it a wobbly pirouette or a sagging ankle, and fix it. What you see in his class is raw, exposed dancing in which members of American Ballet Theater, New York City Ballet and the Dance Theater of Harlem learn together, dance together and, most thrillingly, egg each other on.”

NY Phil Tests Handheld Concert PDA

The New York Philharmonic tests a new handheld device that beams information to audience members while the orchestra performs. “The device, nicknamed CoCo by its creators, also features program notes and video images, all delivered in real time from a computer backstage. Think of Cliff Notes for the musically challenged.”

Pulitzer Music Category Expanding

The Pulitzer Prizes are expanding in the music category, broadening the award in music that would “open the door to musical theater scores, film scores and works containing large elements of improvisation, in theory even an improvised jam session with a jazz ensemble. The move is sure to win plaudits in some circles, especially in Hollywood, on Broadway and within organizations like Jazz at Lincoln Center, while provoking criticism among more traditional composers at many of America’s universities.”