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Martel: Life After The Booker

When Yann Martel won the Booker Prize, the glare of public attention was blinding. So what comes next in the career? “I could be a one-hit wonder and that’s it. I’ll be known as, ‘Remember that guy who wrote Life of Pi, about that boy in the lifeboat with his tiger?’ You know, William Golding, his entire career suffered from the enormous success of Lord of the Flies and everything else took a long, long time.”

The Little Literary Magazine That Could

“Border Crossings” is a tiny literary and arts publication produced in Winnipeg with a staff of two. It has only 5,500 subscribers, but its reputation is huge. And now, “after 23 years of guiding readers through the maelstrom of modern arts and culture, Border Crossings has earned one of the highest honours in the Canadian magazine world: the President’s Medal conferred by the National Magazine Awards Foundation.”

Was Philadelphia Orchestra’s Reputation Hurt On Europe Tour?

The Philadelphia Inquirer sends not one, but two music critics to follow the Philadelphia Orchestra’s first European tour with music music director Christophe Eschenbach. The tour had mixed success, they report: “it’s unfortunate that in the orchestra’s cycle of touring, Europe coincided with Eschenbach’s first season. Europe is key to the orchestra’s international reputation. Too bad the relationship between Eschenbach and the orchestra hadn’t evolved over several seasons before they faced Vienna, London and Amsterdam. If what I heard in Madrid is what we’ll be hearing in the future, critics as well as audiences would have been more enthusiastic. As it is, the orchestra’s reputation has been somewhat damaged. How bad is it? How difficult is this damage to undo?”