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Frederic Rzewski: We Should Abolish All The Conservatories (And Other Provocative Opinions)

“I could never find my own style, no. I have never done anything original. Everything I’ve done I’ve stolen from other people. I mean, Mozart also stole right and left, and so did Bach. All good composers were thieves. It’s totally normal. You pick up something, do it your own way and it no longer belongs to anybody. This idea of genius is absolutely irrelevant to art. Genios in the original latin means daemon. It is something that everybody has! So it is the opposite of our concept of it. It is a meaningless word today.” – Van

“Chill” Music? Seriously? This Is Where Muzak Went To Die

This has become a popular music genre. But “the music wasn’t for anything. It merely existed to facilitate and sustain a mood, which in turn might enable a task: studying, folding laundry, making spreadsheets, idly browsing the Internet. Spotify presently classifies chill as a genre, and there are an incredible number of playlists devoted to insuring a chill experience.” – The New Yorker

Is The Met Fashion Gala Falling Out Of Fashion Itself?

Tickets are expensive – $35k per person – for the “Oscars of the East.” But the event, managed by Vogue is showing some signs of waning. No magazine, not even Vogue, has the same influence over the industry that it once did and social media has given advertisers, brands and designers a lot of their own power to create “moments” and “brand awareness.” – Women’s Wear Daily

It’s A Brave Choreographer Who’ll Replace Jerome Robbins’s Dances For ‘West Side Story’

Anne Teresa de Keersmaeker is creating new steps for Ivo van Hove’s Broadway production in December, and Justin Peck is doing the same for Steven Spielberg’s movie version. But arriving before those is this spring’s new production at the Royal Exchange in Manchester, making Aletta Collins the first choreographer to replace Robbins’s work in a major professional staging. Says the director, Sarah Frankcom, “Robbins was saying something about where dance was at that time. The relationship between dance and theatre is really different in 2019.” – The Guardian