Blog

A New Intellectual-In-Chief

“Six months after the abrupt dismissal of its former editor, The American Scholar, one of the nation’s leading literary and intellectual journals, has found a successor. On Thursday, the Phi Beta Kappa Society, the journal’s publisher, named Robert S. Wilson to replace Anne Fadiman, whose departure after a budget dispute with the publisher led to the angry resignation of 20 contributing editors and board members.”

Behind The Fraud, Some Very Nice Instruments

The New Jersey Symphony Orchestra opens its season after a summer of turmoil surrounding the ensemble’s purchase of millions of dollars of possibly overvalued instruments from now-imprisoned financier Herbert Axelrod. And while the controversy is far from over, James Oestreich says that it’s nice to see the music once again taking center stage in Newark. “Whatever the collection may be worth beyond the smoke and mirrors of expert appraisals, no one questions that these are marvelous instruments and a boon to the orchestra.”

The Sounds Of 9/11

A new audio-guided walking tour of lower Manhattan has just launched, memorializing the fall of the World Trade Center towers. At first blush, the idea of listening to the horrific sounds of 9/11 seems like a ghastly exercise, but the tour, put together by two National Public Radio producers, blends together such a wide array of aural experiences that you can’t help but be drawn in.

Broadway Turned Into Sculpture Row

British sculptor Tom Otterness Otterness is mounting “the biggest one-man sculpture exhibition in New York City parks since a show of Henry Moore works in 1984.” Otterness is “well suited to the diversity and commercial energy of Broadway. He is both popular and populist — an artist whose sculptures are intended to work everywhere and be understood by almost everyone. The sculptures in ‘Tom Otterness on Broadway’ range in size from under 2 feet to over 20 feet tall.”

Broadway Turned Into Sculpture Row

Sculptor Tom Otterness is mounting “the biggest one-man sculpture exhibition in New York City parks since a show of Henry Moore works in 1984.” Otterness is “well suited to the diversity and commercial energy of Broadway. He is both popular and populist — an artist whose sculptures are intended to work everywhere and be understood by almost everyone. The sculptures in ‘Tom Otterness on Broadway’ range in size from under 2 feet to over 20 feet tall.”

Schwarz’s Troubled Tenure At The Seattle Symphony

Gerard Schwarz has been music director of the Seattle Symphony for 20 years. But his hold on the orchestra has been troubled in recent seasons. “The reasons are many and complex, including increasing conflicts between influential members of the symphony’s board of trustees and Schwarz over artistic and administrative policies and doubts about his future value as music director…”

Grokking The Club Talkers

Why do some people go to clubs to listen to music, then spend the performance talking away? “Talkers embody the raw Darwinism of popular music. The harshest public trial for any unknown musician occurs on the night she opens for somebody else, to an entire room full of people prepared to ignore her. She’s got to compel someone to listen or the jungle will close over her.”