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Actress Georgia Engel, Known For ‘Mary Tyler Moore Show’ And ‘Everybody Loves Raymond’, Dead At 70

“She could get a laugh on literally every line you gave her,” remembered Raymond‘s creator. “I’ve never seen anything like it.” She received three Emmy nominations for her work on that series and two others for her performance as Georgette, the sweet-but-dim girlfriend of anchorman Ted Baxter, on MTM; she had an extensive stage career as well. – The New York Times

Powers’s ‘Overstory’, Stewart’s ‘The New Negro’, Blight’s Frederick Douglass Bio, Griswold’s ‘Amity And Prosperity’ Win Literary Pulitzers

The 2019 Pulitzer Prizes for freestanding books went to The Overstory by Richard Powers (fiction), Amity and Prosperity: One Family and the Fracturing of America by Eliza Griswold (general nonfiction), The New Negro: The Life of Alain Locke by Jeffrey C. Stewart (biography), Frederick Douglass, Prophet of Freedom by David W. Blight (history), and Be With by Forrest Gander (poetry). – Publishers Weekly

Researcher Claims To Have Discovered Shakespeare’s Home In London

“The place where Shakespeare lived in London gives us a more profound understanding of the inspirations for his work and life. Within a few years of migrating to London from Stratford, he was living in one of the wealthiest parishes in the city, alongside powerful public figures, wealthy international merchants, society doctors and expert musicians.” – The Stage

Why Hollywood’s Writers Are Firing Their Agents En Masse

Short answer: The Writers Guild of America asked them to. Longer answer: The Guild says agency practices have evolved to the detriment of writers and that writers are earning less as agents expand their businesses, creating conflicts of interest. But it’s difficult. Writers depend on agents to work on their behalf and have close relationships with them. – Los Angeles Times

The Singularity Is Complete: Tyshawn Sorey Glues Together Jazz And Classical (And Whatever Else Appeals To Him)

Sorey’s work eludes the pinging radar of genre and style. Is it jazz? New classical music? Composition? Improvisation? Tonal? Atonal? Minimal? Maximal? Each term captures a part of what Sorey does, but far from all of it. At the same time, he is not one of those crossover artists who indiscriminately mash genres together. – The New Yorker