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Method Actors Lose Themselves In Their Roles. Just What Does That Mean And How Does It Work?

They don’t literally forget who they are, since their actual beliefs and desires remain the same. (Put in terms of the model: their Belief and Desire boxes retain their original contents.) However, fully immersed actors ‘forget themselves’ in the sense that they actively ignore facts about who they are, temporarily subordinating their own thoughts and feelings to those of their character. Actors forget their identities like stoners forget the quadratic formula. The information isn’t gone – just temporarily offline. – Aeon

Colm Tóibín Faces Down Testicular Cancer

On “chemo brain”: “It was not merely that the chemo left me fully thoughtless so that as time went on I could not even read; the effect of the drug darkened the mind or filled it with something hard and severe and relentless. It was like pain or a sort of anguish, but those words don’t really cover it. Everything that normally kept the day going, and the mind, was reduced to almost zero.” – London Review of Books

What To Do With A Great Ballet Choreographer’s Turkeys?

“Modern dance companies dedicated to a single choreographer generally have audiences ready to invest in the artist — even when not successful — as much as the art,” but it’s not so simple for classical ballet companies. “What happens when a choreographer of stature misfires? Should the work remain in the repertory? And what about a work that fails on some levels but not others?” Hanna Rubin talks to the leaders of a couple prominent ballet companies about the issue. – Dance Magazine

The Small-Town Grouch Who Declared ‘Libraries Are Communist’ Was Right, Thank Goodness

Theman who said that was in a rural hamlet in the mountains of New York state, and Sue Halpern had just been dragooned by the town board to set up a lending library with a total of $15,000. About a year on, after tremendous success, Halpern decided she agreed: “A public library is predicated on an ethos of sharing and egalitarianism. … It is defiantly, proudly, communal.” – The New York Review of Books