Owner Nancy Wyden said “the call for help produced a boom in business on Saturday: a single-day record of 10,000 online orders, so many that the website crashed. That day was also the best single day in the month of October that the flagship store, near Union Square, has ever had, and the best day ever at the Strand’s Upper West Side branch, which opened earlier this year. In the 48 hours since the plea went out, the store processed 25,000 online orders, compared with about 600 in a typical two-day period.” – The New York Times
Blog
Entire Hong Kong Philharmonic Trapped In Island Quarantine
Ever since the bass clarinetist tested positive for the coronavirus, “they have been placed in the same section of the 1,080-room camp [on Lantau Island], each minimally furnished room the size of a standard shipping container. Jamming and group rehearsals are banned, obviously, given that nobody can leave their own rooms.” Here’s how they’re getting through the days. – South China Morning Post (Hong Kong)
Pathbreaking Set Designer Ming Cho Lee Dead At 90
As his biographer puts it, “In the 1960s and ’70s Lee radically and almost single-handedly transformed the American approach to stage design.” His work for spoken theater, dance, and opera won him numerous awards, including two Tonys and the National Medal of Arts; he had an equally great impact during his 48-year career teaching stage design at Yale. – The New York Times
African Activist Arrested For Trying To Take Asian Artifact From Louvre
Just a week after he was given a fine but no jail time for attempting to take pieces of African art from another Paris museum, Mwazulu Diyabanza — who calls his acts political protests demanding the return to Africa of artworks looted by European colonizers — was stopped by Louvre guards after lifting and carrying off a sculpture. In a video of the incident, Diyabanza declares, “I came here … to take back what was pillaged from Africa.” The sculpture is from the Indonesian island of Flores. – Artnet
Curator Of Hay Festival Abu Dhabi Accuses Royal of Sexual Assault
“Caitlin McNamara was the curator of the first sister festival in Abu Dhabi, which was feted as an opportunity to promote freedom of expression, human rights and women’s rights in the UAE. … She [has] accused Sheikh Nahyan bin Mubarak Al Nahyan” — the Emirates’ minister of tolerance — “of sexually assaulting her on 14 February, 11 days before the festival began.” – The Guardian
Eight Small Theaters Sue New York State And City For Right To Reopen
“The lawsuit, filed Friday in Federal District Court in Manhattan, argues that the orders shutting down theaters ‘shock the conscience and interfere with plaintiffs’ deeply-rooted liberty and property rights, including the right to work, right to contract, and right to engage in commerce.’ The theaters filing suit … have 199 seats or fewer, and most of [them] are commercial operations.” – The New York Times
Italy Re-Closes Performance Venues And Cinemas As Coronavirus Roars Back
With the country setting new daily records for infections, Prime Minister Giuseppe Conte has ordered that movie theaters, concert halls, opera houses, live theaters, and gyms (which include dance schools) must shut down completely until at least November 24. – Variety
France Pledges Additional €115 Million For Arts Sector Crippled By Curfew
“As the 9pm to 6am curfew now covers roughly half of France, … culture minister Roselyne Bachelot unveiled a new €115 million support package, split between the cinema (€30 million) and the live performance sector (€85 million).” – The Local (France)
The End Of Fashion Photography As We Know It
The fashion world is in crisis: It is producing too much, moving too fast, and, with worrying frequency, offending consumers due to an inability to pivot convincingly from a position that champions a censoriously narrow vision of beauty. Brands are closing, and magazines are folding or becoming fully digital. Can the fashion photograph, of the sort that has littered bedroom walls and been reposted again and again on Instagram or Tumblr, survive? – The New York Times
Indigenous Musicians Take On Bolsonaro In Brazil
The sociopolitical perspective driving Kaê’s music connects with a recent cultural movement gaining popularity among urban Indigenous artists, known as Indigenous futurism. Kaê says it is about “daring to envision ourselves in the future, and using new technologies to enhance Indigenous visibility”. – The Guardian
