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Critics have attacked the Thai Government’s plans for a tsunami museum. Particularly insensitive, they say, are plans to create the simulated tsunami attraction as part of a memorial museum.

What happened to grand marble arch created by sculptor Henry Moore that used to reside in London’s Kensington Garden’s area? “A note in the guidebook Buildings and Monuments in the Royal Parks says that the Arch (as the sculpture is officially called) has been “temporarily removed and dismantled for repair”. But it has been broken up for nearly a decade. Nor is there much prospect that this grand piece, made in 1980 by Britain’s most famous sculptor for the people of London, will be repaired – or indeed seen by the public again.”

It seems like every museum in America has expanded in the past few years. But is all this growing sustainable? Is it warranted? Eric Gibson: “Every business sector goes through cycles, and there’s no reason to believe museums are an exception. Instead of continuing to assume visitorship will grow indefinitely and that they should build accordingly, their officers should begin to imagine a future where demand slackens, as people find other ways to replenish themselves. It may already be here.”

Minneapolis’s Walker Art Center is about to unveil its huge expansion, turning the city’s modern art showcase into an even more prominent local landmark than it already was. But a few blocks away, the more tradition-bound Minneapolis Institute of Arts is preparing to open 27 new galleries, and it, too, will be putting the focus on recent art. “Officials at both the Walker and the MIA dismiss the notion of a rivalry, even though they clearly are fishing for donors in the same relatively small pool of big-time Twin Cities area art collectors.”