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The Man Who Wants PBS To Be More Republican

The new chairman of the Corporation for Public Broadcasting is aggressively pushing PBS to provide more conservative political voices in its programming, citing what he believes is years of “liberal bias” in news programs and documentary series. PBS’s outgoing president is firing back, accusing CPB of interfering with the network in an inappropriate way. Others have noted that the new chairman appears to be driven by an obsessive and “vehement dislike of journalist Bill Moyers,” who recently left PBS, and that he actually hired outside consultants to monitor the political leanings of guests on Moyers’s news/interview program, Now.

Based On A True Story

When art takes its inspiration from actual events, where should the line between fact and fiction be allowed to melt away? Do artists have a responsibility to the truth, or do the demands of narrative flow trump historical reality? Dominic Papatola isn’t conflicted: “Historians and journalists have their biases, but they’re at least working with the filters of balance, objectivity and completeness. Artists — at least when they’re making art — don’t have those filters, nor should they be expected to. We’re complacent — no, we’re brainless — if we assume otherwise.”

Winnipeg Symphony Backs Away From The Abyss

Two years ago, the Winnipeg Symphony Orchestra was plunged into crisis and delivered into the hands of the provincial government in a desperate attempt to prevent a complete collapse. To say things have improved is an understatement. “As the WSO’s current season closes this evening at Centennial Concert Hall, the 65-player orchestra is enjoying rising attendance, a balanced budget, and guarded optimism about the future. Since a new board took over the WSO last year, fundraising has revived, and a deficit of nearly $3-million has been cut in half. The city and provincial governments have forgiven about $400,000 in loans, and the federal government has tossed in a transition grant of $250,000.”

Maazel Finances Opera, Prompting Charges

Is a new Royal Opera House production a “vanity” project? “Lorin Maazel, the conductor-composer whose new opera of George Orwell’s 1984 opens tomorrow at the Royal Opera House, has put more than £400,000 of his own money into the production, the Guardian has learned, leading to accusations that Covent Garden is staging a vanity project.”

Ostrow: NPR Was Right To Dump Edwards

When National Public Radio unceremoniously dumped longtime Morning Edition host Bob Edwards last year, fans shrieked and critics almost universally blasted the move as unnecessary and insensitive. One year later, Joanne Ostrow is ready to admit she was wrong. “The revamped show wakes up fresher these days. Getting the anchors out of the studio and on location, something Edwards resisted for years, has paid off… The long-perceived East Coast bias is diminished. Arts coverage has grown in depth. The globe-trotting hosts have delivered amazing reportage.” And if numbers are your thing, listenership to the program is up 7% since Edwards was sent packing.

Will Sydney Opera House Lose Heritage Listing?

On the eve of major renovations to the Sydney Opera House, fears are raised that the work might endanger the building’s listing on the World Heritage List. “In the first major change to the appearance of the building, a 45m verandah – or loggia – is to be built along the western wall facing the Sydney Harbour Bridge. The plans include the opening of nine large windows in the wall alongside the Drama Theatre, Studio and Playhouse to give theatre patrons million-dollar views of the harbour.”

The Science Of Architecture, The Architecture Of Science

Scientists tend to be far more focused on their work than on where they’re doing it, but a new generation of labs is embracing the idea that architecture can make for a more productive working environment. “[The new labs] are fun to work in and provocative purely as architecture,” but also take the very specific needs of the scientists who will work within them into account.

Acclaiming The Hype

The blurb-o-sphere has inflated the hyping of books (is that even a sentence?). “Acclaimed”, in this fulsome lingo of book ads and catalogs, now means merely “the author received at least one good review.” Widely acclaimed means “two or more, plus a cable TV plug.” Critically acclaimed means “it was decently reviewed in a specialized publication but didn’t sell.”