That Helen Frankenthaler painting damaged last week when a 12-year-old boy affixed a wad of gum to it in the Detroit Institute of Arts has been taken to the conservation lab. “Museum officials said they are optimistic that the picture will make a full recovery. But in contrast to comments earlier this week in which relieved officials said decisively that the 1963 painting, ‘The Bay,’ would be fine, the museum issued a more tempered statement.
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Gum Boy Gets Slammed
The 12-year-old boy who stuck gum on a valuable painting during a school visit to the Detroit Institute of Arts probably got more than he bargained for. “He’s slammed with a suspension from school, a front-page newspaper account, derision from morning-ride DJs and mentions in media across the world. At 12 years old, he becomes Gum Boy. Forevermore, everyone expects the worst from him. His parents keep their shades drawn.”
Black And White – End Of An Era
When Kodak announced last June that it would no longer manufacture black-and-white printing papers, the decision did more than terminate 117 years of production. By severing a vital supply line long taken for granted, the company reminded photographers of their humbling dependence on equipment and materials—and how quickly both they and the equipment and materials can go out of date.
Guild Formed To Combat Russian Art Forgery
To combat the rising incidence of art forgery, Russian scholars are forming a new guild to act as an authority. “The Guild’s main goal is to establish rules and standards for authenticating art works. It plans to license art experts, act as a lobby for the art market in Russia and provide information and legal assistance for collectors.”
Publisher: Stop Google’s Larceny
Publisher Nigel Newton says that Google’s print digitising project must be stopped. “In Dickens’s spirit, I believe we need to take action against Google. Its quest to monetise for its own benefit the literature of the world must be stopped. So I call upon internet users worldwide to boycott the Google search engine until it ceases to scan books in America without prior permission, and desists from its mission to place ambient advertising on the great literary works. Switch your search engine from Google to MSN or Yahoo today, until you hear Google has withdrawn from the type of activities that have been described in another context as acts of ‘kleptomania’.”
Louisville Orchestra Rejects Musicians’ Proposal
“The Louisville Orchestra has rejected a proposal by its musicians to cut six weeks from the upcoming season, a move musicians say will save $400,000 in that contract year. But management believes that the cost savings would be closer to $200,000 because of the loss of potential revenue during those weeks and that the musicians’ one-year proposal isn’t sufficient to address the orchestra’s longer-term needs.”
A Little Darkness Falls On The “Painter Of Light”
Thomas Kinkade has made millions as a self-styled “Painter of Light.” But some of his gallery owners are suing him, and they paint a pretty dark picture. “In litigation and interviews with the Los Angeles Times, some former gallery owners depict Kinkade, 48, as a ruthless businessman who drove them to financial ruin at the same time he was fattening his business associates’ bank accounts and feathering his nest with tens of millions of dollars.”
US Opens Investigation Into Download Price Fixing
Are recording companies conspiring to inflate the price of music downloads? The US Department of Justice has opened an investigation. “The department of justice inquiry centres on the activities of the four largest record labels: EMI, Sony BMG, Universal and Warner Music. Subpoenas are believed to have been issued to all parties, with federal officials understood to be focusing on whether the companies have been colluding to keep the price of downloads artificially high.”
The Shakespeare Industry At Full Roar
The who-was-Shakespeare industry is currently in full gear. “Last year saw no fewer than three hefty biographies, distilled from the slim documentary record of Shakespeare’s existence and coloured up into portraits through socio-historical detail and complex deductions from the plays and poems. Soon the Royal Shakespeare Company will launch a multinational season of the “Complete Works” at Stratford-upon-Avon, with 41 full-scale productions. And now we have the National Portrait Gallery’s Searching for Shakespeare, an exhibition centring on eight pictures that have at one time or another been accepted as true images of the Bard.”
Crashing Credits – The Producers Who Demand Their Share
A dispute about producer credits for the movie “Crash” highlights the difficulty in giving credits for producing modern movies. “Those four slighted “Crash” producers say the film’s multiple producing credits are not the result of any personal vanity but instead underscore the frantic mechanics of making movies outside the studio system.”